Michael Kellough said:
Remember those psychedelic posters from San Francisco in the late sixties?
The most famous examples, such as the one above, where created by a team of artists, Alton Kelley and Stanley Mouse.
Anton was a lefty and Stanley a righty and they worked on the same board simultaneously.
"Kelley would work on the left side of the drawing table and Mouse on the Right," said Paul Grushkin, the author of "The Art of Rock: Posters From Presley to Punk" and a longtime friend of both men. "They turned out a poster a week."
"In their final collaboration, in March of this year, they contributed the cover art for the program at the induction ceremony at the Rock and Roll Hall of Fame." Anton died this week.
The NY Times article.
Michael,
Excellent. Thank you. Mouse & Kelly's art works, while obviously part of a larger "Pop" culture, are tremendous examples of wild unfettered talent.
These men were amazing, & whatever your medium, you have to appreciate getting into the "zone" of your art. It's when you know some of your best & most creative work is coming out through your own creativity. What some people might call ones prime production peak.
That these two worked side by side righty vs. lefty, while I had never known this, does not surprise me a bit. Kelly once described the experience as "riffing off each others giggles"
What ever "help" their giggle had in being, the collaboration of these two men is among the strongest of professional pairings ever produced in the arts. Kelly also once said "we were stunned by what we were able to do. We had free rein to go graphically crazy. And they did!
The art work they produced together from 1964 is an enormous body of work. Some merely good & some wildly outstanding. The work they produced shall grace art collections for centuries. Not bad for a couple of notorious hippies

The two started out as concert promotors, competing against Bill Graham in the San Fransisco area & scene (& Virginia City Nev.). The business was called the Family Dog & they promoted alot of their shows at the Avalon Ballroom, while Grahams were held in the Fillmore. Family Dog eventually fell apart (Charles Manson was associated with them very early on), they were a wild group.
Kelly & Mouse kept at it though, producing many of the most famous concert poster art of the era.
They may have seemed reckless & carefree, but the art produced will outlive all the nonsense. Alphonse Mucha partied hard with Kafka & Einstein in Prague at the time of the turn of the last century. Heady times. His art work & that of his contemporary is likewise an incredible outburst of talent, unleashed by the freedom that creativity brings. Though most of his art was for marketing purposes, it sells for millions today.
Truly great art requires letting go, trusting your abilities, & not paying to much attention to how it is received. If you're fortunate enough, your art may be enhanced by a legendary collaboration, such as theirs. Niether of the two could have produced that work alone. Niether of these two had any thoughts that they were creating masterpieces. Yet they did.
Righty, Lefty....I don't know
Perhaps it really is the giggles that matter ;D
Regardless, it really seems to be a freakish confluence of things that make some people more prolific at their art than others. Trying to figure out where it comes from can make you crazy. or maybe it is the giggles............. ;D
Long live Mouse Kelly.