Four Piece Entertainment Center and Bookcases

Dave Ronyak

Member
Joined
Jan 23, 2007
Messages
2,234
I recently completed, well almost...the customer (aka my dear wife) wants me to make a set of doors to hide the TV when not in use, of a large wall unit/entertainment center and will share details of its design and construction, as well as the problems I encountered along the way, how I addressed them, and my suggestions for anyone who chooses to make a similar project.  The entertainment center comprises four separately constructed cases that are fully finished on 3 sides so they can be used together or separately or with other furniture pieces.  I say "almost completed" because doors to hide the TV when not in use are still under design considerations and location of suitable veneer and accent wood, and I need to make and install the dividers within the fully dovetailed drawers that are behind the glass doors.  Most of the major challenges I enountered were due to working alone in a small overcrowded single car garage/shop.

The cases are constructed of double sided red oak veneered plywood with solid oak edging, most of which was attached using dominos.  A few pocket screws were also used.  Each of the tops has xenon lamps flush mounted within.  Lacewood was used as an accent strip in the valences.

Construction involved use of TS 55 and multiple MFTs (old style), Domino, OF 1400, RO 125, ETS 125, LS 130, CT 22, LR 32 Hole Drilling set, Festool Side Stops and shopmade side stops with extended range, conventional router table, a spaced apart double MFT 800 table setup for routing with MFS template, Kreg pocket jig with shopmade dust collection hose adapter, and Fuji HVLP spray finish equipment.

Also described in detail the finishing schedule I used (including why), along with some unanticipated problems encountered and how I addresed them.  A combination of solvent and water-based materials were used.  The final finish coats are water-based lacquer from Target Coatings (Oxford brand).

Here are a few photos of the completed unit.

[attachthumb=1]
normal_Entertainment_Center_121008_004_sml.jpg


Closeup view of top lighting and valence of red oad and lacewood (aka Australian silky oak)
normal_Entertainment_Center_121008_007_sml.jpg


Effect with glass insert shelves
normal_Entertainment_Center_121008_005_sml.jpg


Effect with solid panel shelves
normal_Entertainment_Center_121008_006_sml.jpg


Close-up of valence surrounding tops of Bookcasea and TV Cabinet
normal_Valence_Entertainment_Center_12-21-2008_004.jpg


And what my wife to rearrange those symmetrically arranged, adjustable shelves.  I guess I'll have to go build more bookcases!
normal_Staggered_Shelves_Lights_Entertainment_Center_12-21-2008_002.jpg


Double MFT setup with MFS and bottom mounted dust collection for routing shelves for glass inserts.
normal_102_sml.jpg

Bottom mounted Dust Collection
normal_103_url.jpg


To come later: a modern design coffee table with granite top.  The stone company called me yesterday to say the top is finished.  I'm still thinking about design ideas and alternatives, and how to deal with the weight of that top and the table which will be sitting near the middle of a room with 20ft clear span joists.  I think they are strong enough, but I am concerned about deflection, turning the floor into a large, shallow bowl.

January 4th, 2009...
Here's my first SketchUp Model of the Coffee Table.  I now have the [heavy] granite top.
normal_Coffee_Table_SketchUp_Model.jpg


February 11, 2010...
Here's the finished Coffee Table.


Dave R.
 
Thanks, Todd.  I just completed (well, almost) setting up a gallery on FOG from which I intend to continue writing a detailed description of my design and construction efforts.  Unfortunately, I do not know how to use SketchUp so my drawings and cut lists and notes are hand drawn on paper, and my HP 6110 all-in-one machine conked out recently.  I was hoping to be able to scan and post a PDF of the drawings and cut lists.  Maybe someone on FOG can teach me how to best do this.  The PC aspects of this project are proving much more of a challenge to me than the woodworking and finishing issues!

Dave R.
 
I need a set  up just like that in my basement!

Beautiful work Dave!
 
Today I ordered the granite top insert for a coffee table that will complement the entertainment center.  The general design is a square table, about 44" x 44" x 14" to 16"H.   If you can envision a truncated, inverted pyramid,  each layer formed of a square oak perimeter frame, corbled out towards the top you understand the concept.  The top will have an oak border frame and the granite will be set proud of the frame, assuming I don't throw my back out trying (with help from my son) to set the stone in place.  The slab from which the top is to be cut is about 1 1/4" thick and the vendor will not machine it thinner for me.   I contacted some out of state vendors that had materials of interest, but they will not ship to me.

Dave R.
 
Construction of Console for Entertainment Center 

Inspiration for the design of this entertainment center including some of the Console features was taken from a photo of a system shown to my wife by a decorator.  That unit was only available in Jatoba, only in one finish which was too dark to match the stained oak wall and trim in the living room in which the unit was to be located.  The dimensions of that commercially available entertainment center/wall unit weren't quite right, either, they were too short.  Initially, my wife wanted a "cubist" appearance when viewed straight on from the front, she wanted the shelves and partitions to form an array of nearly square boxes of nearly equal size as shown in the commercial unit which had fixed shelves of solid panels.  I changed that to adjustable shelves with glass insert panels, and made a couple of extra shelves with solid panels.  To complement some other furniture we have, the doors were fitted with beaded glass panels.  I made them so the panels can be easily replaced, if needed or desired.  You could substitute a different type or color of glass or even leaded glass, or panels of contrasting or figured wood or metal such as one of the many decorative copper panels that are available.  Architectural supply catalogues and websites are good sources of ideas and materials for your consideration.  I only regret that I did not happen upon any of these sources until my project was almost completed, too late to make many changes.

For stability, the sides, top, partitions and shelves of the Console are made of plain sliced, red oak veneered plywood edged with solid oak.  To add a little visual effect, on the outside surfaces, the front and back edging of the sides stands 1/4 inch proud of the plywood panels.  The front edging of the side panels also stands 1/4 inch proud of the inside surface of the plywood panels, but the back edging is flush with the plywood.

The Console is designed to be used with a flat screen TV and common DVD player, and Warner Cable (Scientific Atlanta) DVR, with storage in  four drawers behind the doors for DVDs and CDs.  The Console is 52 inches wide, 19 inches deep and 24 inches high.

091a_sml_Assembled_Console_Wide_Shelf_Edges.jpg


To make the panels, 3/4 inch veneered plywood had to be ripcut and then cross cut.  The widths of the ripped pieces ranged from 12 inches to 17 inches (and for the backs of the Bookcases more than 27 inches).  For many of the needed components, multiple ripped panels were needed.  To help ensure uniformity of width of the ripped panels, I made a pair of extended range Side Stops as shown in the  photo below.

026_sml.jpg


As you can see, these are really nothing more than an adaptation of what Festool already offers.  The heads of these stops are the same as those supplied with Festool's Edge Stops (Item #485758) that are marketed for use with Festool's LR 32 Hole Drilling set (Item #583290).  If you have the Hole Drilling Set you can substitute longer rods to extend their range.  Hexagonal aluminum rods having a 5/8 inch dimension across the flats would be nearly perfect.  But since I did not have access to any of these, I substituted a pair of 3/4 inch diameter dowel rods, and ground a flat on one end of each rod to enable it to be gripped by the top plate of the head of the stops.  Although I have the Hole Drilling set, I chose to purchase additional pieces enable use of a pair of Festool Limit Stops (Item Number 485827) I own for this purpose.  Thus, I don't have to recalibrate my Side Stops for use with the Euro 32mm system.  The bodies of the Limit Stops are identical to those of the Side Stops.  All that is needed to complete conversion of a Limit Stops is a  top plate, a 6mm machine screw and square nut.  Bob Marino worked with me to obtain the correct OEM hardware plates, but suitable plates can be made easily from aluminum plate and Imperial screw parts.

028_sml.jpg


For the adjustable End Stops, I simply bored a 3/4 inch hole through a couple of blocks of hardwood, then bored and tapped them to receive a 6mm machine screw (so I can easily tighten them with my "Toolie Tool" or any Phillips screwdriver).  It is important that the 3/4 inch bore through these End Stop blocks be perpendicular to the face that will be in contact with the workpiece to be cut, so use a drill press if available.  If you have not tried it, you may be surprised how well hardwood accepts being tapped with ordinary metal working taps.  Metric taps are available at many hardware stores.  Mine are Ace brand and were only a few dollar each.  The main difference compared to tapping metal is to more greatly undersize the bore to be tapped.  A little boiled linseed, tung or other curable oil finish on these wooden threads will serve to strengthen them, but it is not necessary.  After boring and tapping the End Stops, I used a bandsaw to cut through the short end of each block, then made at least a pair of additional kerfs in the blocks beyond the main bore.  These kerf cuts allow the block to be snugged in position against the dowel rods without splitting the blocks.

029_sml.jpg


To set these Shopmade Side Stops for ripping wide (or narrow) strips off a sheet of plywood, I simply mark the ends of plywood at the desired width, then set the rubber edge strip of the Guide Rail on the mark.  Then I mount the Side Stops adjacent to each other at one end of the Guide Rail and adjust both of them until the End Stops (wooden blocks) are in contact with the reference edge of the plywood sheet.  After setting the Side Stops, I move one of them to near the opposite end of the Guide Rail.  Then I reset the Guide Rail on the sheet to be cut, then make the cut.  To setup for the next cut, the Side Stops are again mounted near to the opposite ends of the Guide Rail, the Rail is positioned on the sheet using the previous cut line as a reference.  The Side Stops are then removed, and the next cut made with the TS 55 saw.  I was surprised how close to exactly the same width the ripcut panels were. 

Here is a photo of a stack of ripped plywood panels for this Entertainment Center project, not just those for the Console which did not require as long pieces.  It turned out that I actually needed more than these to complete this project.  That was not a problem, I simply used one of my previously cut pieces to reset my Shopmade Side Stops to the needed width and cut additional strips for the shelves of the Bookcases and TV Cabinet.

normal_051_sml.jpg


Although I am focusing on construction of the Console in this section, in practice I ripped nearly all of the plywood sheet panels that I would need at this time.  Due to my small crowded shop, I used an old workbench to store my inventory of 10 sheets of plywood.  I ripped many of those sheets right on that stack.  Due to my working alone, most of the time I did not move the sheet to be cut other than to lift it up to slip panels of foam insulation board underneath prior to cutting.  After supporting  the sheet to be cut on panels of foam insulation board, the Guide Rail was positioned on top for the cut.  At first I clamped the ends of the Guide Rail, but eventually came to trust it to stay in position which it did.

The front edges of the side panels are edged with 1inch thick by 1 1/4 inch wide solid oak located and fastened with dominos and glue.  The back edges of the side panels are edged with 1 inch thick by 1 inch wide solid oak strips similarly dominoed and glued.  On the insides of the side panels, the back edge strips are flush with the inner surface of the plywood, whereas in the front, the edging overhangs the panels by 1/4 inch both to the outside and to the inside.

My setup for this is shown in the following photos.  It is a pair of Guide Rails joined by Festool connectors, clamped onto a long board of 5/4 oak of the same stock to be ripped into narrow strips.  In the photo is a 3000mm Rail joined to a 1400mm Rail spanning multiple tables.  Most of my 5/4 oak boards were 10 to 12 ft long.  So I ripped a straight edge on one of them using the TS 55 and Guide Rail, then ripped a strip 1 inch wide and another 1 1/4 inch wide.  I used pieces cut from the the 1 inch strip as a gauge block to set the "fence board" clamped underneath the Rail back the desired 1 inch distance.

normal_011_sml.jpg


normal_025_r3_sml.jpg


Below is another photo showing my TS 55 positioned near the end of the Guide Rail, ready to rip a narrow strip from off the shorter board whose edge is abutted against the longer board that is clamped under the Guide Rail.
021_sml.jpg


One caution is in order when using this technique.  As the stock board being ripped into strips becomes narrower, it may warp due to internal tension that is released as the strips are cut.  When I encountered this problem, I used my jointer to recreate a straight edge to abut underneath the Guide Rail.  If you don't have a jointer, you can set the crooked edge just barely under the Guide Rails and rip a fresh straight edge.  In this case, be sure to keep the board to be cut from moving during the ripcut since it will not be captured under the Guide Rail.

More to come!

Dave R.

 
Thanks, Todd.  I've found the 3/4 inch oak dowels have been stiff and straight enough, and have remained so.  I selected them from the stock at the store by rolling them on the floor to find truly straight ones with close grain rings.  I just noticed that my text note within the photo reads "5/8 inch" dowel.  It should have read 3/4 inch!  I created a flat on the end that is gripped by the Festool Stop using a belt sander.  The black marker line was used as a visual aid while sanding the flat.

Dave R.
 
That's a very well designed and built unit Dave.  I am enjoying reading your account of the construction and I look forward to reading more.

Based on what I have seen so far, I think that your project is a strong contender for this month's contest.
 
I don't know about the prize/contest but  do know that those are beautiful pieces of furniture. So very nice work and from a single garage shop...excellent.
 
Chapter II - Entertainment Center Construction

Cross-Cutting the Previously Ripped Stock

After ripping the plywood sheets for the panels and ripping the 5/4 oak boards into narrow strips, I needed to crosscut these into the various lengths needed.  For this I used my MFT 1080 and TS 55 connected to my CT 22E through an Oneida Dust Deputy.

normal_112_sml__Dust_Deputy_CT_22_2008-12-16_004.jpg


Placement of an MFT 800 to the left of my MFT 1080 equipped with fence of crosscut Guide Rail provided ample support for the longer pieces to be crosscut.  These two MFTs were connected using Festool's metal connectors (Item #484455).  Although the longest pieces for the Console were only 52 inches long, those for the Bookcases were nearly 7 ft long.  For support to the right side of the saw of the stock to be crosscut, I set up an auxiliary table by simply laying an old flush hollow core door on a pair of sawhorses.  I got lucky because the elevation of that auxiliary table nearly matched that of the MFT top.  Some of the strips to be crosscut were ~12 ft long and while many of the pieces to be crosscut from them were only a little more than 1 ft.

normal_082b_sml_MFT_Stop_Block_Setup_for_Repeat_Crosscuts_of_Long_Stock.jpg


The photo immediately below shows some of the crowded conditions in my small shop.  I was against the overhead door when taking this photo.
normal_114_sml_Crowded_Shop

[attachthumb=1]

Needless to say, this lengthy arrangement of MFTs and auxiliary table took up a lot of floor space in my 15 ft X 25 ft garage/shop which also houses a table saw, bandsaw, Shopsmith, dust collector, tool chests, welding equipment, spray equipment, car repair equipment and much of my wood stock, including all used in construction of this entertainment center, and more for use in making substitutes for Systainer-Ports.  Although I have a basic Hitachi CMS, sometimes the shop was so crowded with stock and work in progress that I had to resort to an ancestor of the Kapex.

normal_040_sml.jpg


As you can see in a photo above, to protect the top of my MFT 1080, I use a 2 ft x 4 ft piece of quarter inch plywood, which I clamp to the top.  To aid in aligning the stock to be crosscut, I clamp a piece of scrap wood to the right of the MFT fence and in-line with it.  This also seems to slightly improve capture of the sawdust as the saw blade passes through the far end of the stock being crosscut.  I recommend using a board that is somewhat wider than is shown in the photos so the blade kerf ends within the auxiliary fence.  Note also that I moved the MFT aluminum fence about an inch to the left after cutting a nice 45 degree mitre through it during an earlier project.  (The picture frames came out quite well.)  Such mitre cuts will be needed later when making the valences on the Bookcases.

normal_111a_sml_Right_Auxiliary_MFT_Fence_2008-12-16_003.jpg


Here's another view from the backside of the MFT:
normal_111_sml_Right_Auxiliary_MFT_Fence_2008-12-16_006.jpg


After working with the long board and panels involved in making this project, I realized that an even better Multiple MFT setup would have positioned another MFT to the right side of the MFT equipped with the cross cutting Guide Rail.  Joining a pair of MFTs would enable aligning the fences on both so the long stock to be cut would also be guided into alignment by the additional section of fence to the right of the main MFT fence.  I don't (yet) own another MFT with a fence.  But any MFT could be fitted with a fence, e.g. using a Squaring Arm as a fence.

There has been much discussion on this forum about squaring up the fence to Guide Rail on the old style MFT 1080 and MFT 800, and the nuisance of having to re-square it every time it is removed from the MFT and replaced.  My experience confirms that a recheck of squareness should be made every time, if true 90 degree crosscut accuracy is needed.  But there is an easy, quick solution to this issue.  Get or make a large (12 inch or greater) precision square and keep it handy by the MFT.  I chose an 18 inch aluminum 45-45-90 degrees triangle carpenter's square from Woodpeckers; although pricey at about US$ 100, I have found it useful for many tasks involved in making this Entertainment Center, and strongly recommend getting a this or an equivalent product.    I found this large square invaluable for use in my unorthodox technique for use of the LR 32 and Hole Drilling set which will be discussed later.

Insert photo of Large Square on MFT - or look at Woodpeckers website.

To square up the MFT fence to crosscut Guide Rail, I lower the hinged end of the Guide Rail so that it rests on the aluminum fence, place a scrap of one-half inch plywood under the Rail for support along its length, lower the Guide Rail and adjust the height of the tab holder nearest the operator so the tab is fully engaged in the slot underneath the Rail to prevent side movement of the Guide Rail.  I do not setup the Stop bolts on the side rails of the MFT to apply any sideways tension within the Guide Rail when the end near the operator is engaged in the tab, but some MFT users recommend that procedure to remove any play when the Guide Rail is down in the tab.  Then I lay the Woodpeckers precision square on the MFT with the thicker side of the square against the Guide Rail and the thinner side against the MFT fence.  I make whatever adjustments are needed until full contact of both sides of the reference square with the MFT fence and Guide Rail are achieved.  I confirm this by slowly sliding the reference square into the inside corner defined by the MFT fence and Guide Rail after the MFT components are "locked" in position.  Occasionally I find I have to readjust the stops in the Side Rails of the MFT, and the Festool clamp at the far end of the fence that clamps the far end of the fence to the side rail of the MFT.  I frequently find myself completely removing all of the fence hardware from my MFT including these stops in the side rails, and I don't find it takes much time to reset.  You can make marks on or within the channels of the side rails to facilitate recreating a previous setup position of the Fence and Guide Rail if you desire, but it is not necessary.  When delivered, the stops on my MFT 1080 were not correctly preset for the Guide Rail so I got used to setting them right at the start of my Festool experience.

For the components to be crosscut whose cut length was within the range of the MFT fence, I used the Festool Adjustable Stop (Item #49055) supplied with the complete MFT 1080.  For components whose length exceeded that of the MFT fence, I used one of the two setups shown in the following photos.  One setup was a scrap wood block clamped to the top of the extra MFT 800 positioned to the left of the saw as shown in the photo below.  This is not my preferred setup.  If this setup is used, be sure to clamp the block down with a pair of clamps, using only one clamp may result in the  stop block moving when the stock to be crosscut is slid into position.  The mass of a large panel of plywood bumping even rather gently against a Stop Block held with a single clamp is enough to make it move, and thus a potential source of cumulative errors.  I learned this the hard way after cross-cutting some of the plywood panels.  Then I added the second clamp and had to recut the panels to a slightly shorter standard length, so my drawings and my actual construction are not exactly identical.

normal_082b_sml_MFT_Stop_Block_Setup_for_Repeat_Crosscuts_of_Long_Stock.jpg


Here's another view of the Wooden Block as a Stop with a pair of Festool clamps holding to the MFT top.

normal_082a_sml_MFT_Setup_for_Repeat_Crosscuts_of_Long_Stock.jpg


The other setup, which I prefer for crosscutting long wide stock, utilizes a Squaring Arm (a concept from Jerry Work's MFT manual) extending across the extra MFT 800 and secured to its side rails, as shown in the photo below.  After trying this idea, I preferred it because of the rock solid support that it provides all along the base of the (wide) stock to be crosscut.  The reference square placed with one leg against the MFT fence and the other against the Squaring Arm can be used to make this a precision right angle setup as well as a cross-cut stop.  Because the lengthwise edges of my Squaring Arms are rounded over (one fourth inch radius), a little sawdust trapped under the reference edge of the stop against which the stock to be crosscut was abutted did not interfere with getting accurate, repeatable contact with the Stop as might occur with use of a scrap of wood for a stop as in the first setup.  Use of the Squaring Arm as a repeat crosscut stop also freed up a pair of F-style clamps, and was very stable.  Sliding a large ripped panel firmly against this stop did not change the setting of the Squaring Arm as a stop.  Note that the Squaring Arm stop can also be clamped midspan to the top of the MFT to further secure its position setting. 

normal_100_sml_Squaring_Arm_as_Crosscut_Stop_Block.jpg


Here's closer view of the Squaring Arm used stop for repeat crosscuts to exact length:

normal_100a_sml_Squaring_Arm_as_Crosscut_Stop_Block.jpg


The little strip of 1/4 inch thick oak positioned under the panel on the MFT 800 is to compensate for the use of a sheet of 1/4 inch plywood on the MFT 1080.  I made several pieces of this 1/4 oak stock initially expecting to use them as trim around the bases of the cases of the entertainment center, but the customer (my wife) did not want that aesthetic feature.  Nevertheless, they came in very handy as shim stock for many of the tasks needed to construct this furniture because their thickness corresponded to the amount of offset between the side panels of the four cases I built and the front and rear edging as viewed from the sides,

Cross-cutting Long Pieces of Ripped Stock on the MFT in a Small Shop.

To set the Stop to the cross cut length desired, I used an ordinary retractable steel tape measure (Stanley brand) and placed a pencil mark at the desired length.  As a precaution, especially when cutting plywood panels, to length, I first checked the end that was about to be positioned against the stop for squareness and a good (smooth) cut end.  The factory cut end of some of the plywood I was using was good enough that I could use the factory cut end.  And the gross dimensions of the full sheets were about 48 1/5 inches by 96 1/2 inches, which enabled ripping 4 full lengths of 12 inches width from each sheet.  (This was not true of the lower cost birch veneer plywood I purchased a year ago from HD, which came from China.)  If the factory cut end was not square or was too rough or the end of a board was checked, I marked across the "bad" end then measured out a length slightly beyond the needed final length.

For shorter components, all I had to do was flip the Festool Adjustable Stop up out of the way, cut the stock a little longer than final length, flip the stock to be cut end for end keeping the same edge against the fence and against the lowered stop, and make the second cut to final length.

For components longer than the length of the MFT fence, after marking the stock to a length slightly longer than the desired final length, I lifted the factory or other "bad" end over the Shopmade Stop and crosscut the piece slightly longer than needed, then flipped the stock end for end keeping the same reference edge against the fence, and pushed the previously cut end against my Stop, and made the final cut.  This was possible with longer components because they could easily be flexed enough to hold them square against the MFT fence and down against the top of the MFT.  This avoided the need to first make a square crosscut on every piece of long stock, then flpping each piece of long stock (some more than 12 ft long) end for end in my small shop, then setting the Stop and making the final cut.  My method meant the maximum stock length I had to flip end for end was a little less than 7 ft long.  I did this because much of my garage/shop has only an 8 ft high ceiling, and this coupled with the Boom Arm on my CT 22 makes it a challenge to flip long boards end for end without opening the garage door and taking the boards outside to flip them.  (I was also very thankful at this time that I paid extra to have the center section of the garage roof done with a "cathedral" ceiling to gain a little more height.) 

More to come.

Dave R.

 
Where are you finding the time to document all of this? Going for a contest win this month Dave?

You sure are on track as far as I am concerned!

I love the Kapex substitute!
 
Thanks for the update Dave. 

This morning, after first shoveling the (about 15 cm) of snow from my sidewalks, driveway, and deck, I settled down with my tea, toast, and marmalade to read the latest account of your project.  It was most enjoyable -much better than reading the newspaper with breakfast.

I like the way that you are, not only telling us about building the unit, but you are describing your techniques for using your Festool (and other) equipment.  You are providing some good advice and some great tips.

And, like Nick, I quite like the Kapex substitute!
 
I agree and am enjoying your read with my tea this morning.
I don't want to interrupt your flow but when you are done, and have the time, could you describe the fitting you used on the out flow end of your dust deputy.
Thanks,
Roger

Frank, you 're really English with a funny accent aren't you? First the fish and chips and beer and now tea, toast and marmalade.-I'm on to you!
 
RogerF said:
Frank, you 're really English with a funny accent aren't you? First the fish and chips and beer and now tea, toast and marmalade.-I'm on to you!
Well, the Pellows came to Canada from Corwall in the 1820s, so I guess the I'm kind of English.

Oh yes, I also lived and worked in England for 4 years in the 1970s.
 
Dave,

This is really great.  I'm in the process of designing my own entertainment center and will be using many of the same tools for construction, so your detail in how you're using the equipment is especially appreciated.

I'm curious about what you did for cable and power management?  I notice in your picture that you have an outlet behind the unit to the left and lighting above.  Did you install a strip anywhere and, if so, did you include channels to run the wires?  It may be too late now, but a few of the back of the unit would be great as well.

Congrats on a great project!

Greg
 
RogerF said:
I don't want to interrupt your flow but when you are done, and have the time, could you describe the fitting you used on the out flow end of your dust deputy.
Thanks,
Roger

Roger,

The outflow of the Dust Deputy (DD) is at its top.  The gray colored fitting adapter is made of somewhat flexible plastic and was purchased from Oneida at the same time I bought the Dust Deputy.  It upsizes the metal outlet of the DD to fit into standard 2 1/2 inch shop vac hose.  On top of that gray adapter is one of Festool's hose Connector Sleeves (Item #493047) into which is fitted the short (? one and 1/2 meters?) 50mm hose that comes with the Boom Arm (Item 492753).  The black rubber coupling is a 2 inch to 1 1/2 inch copper to PVC plumbing adapter made by American Valve, and is a standard item available at HD and Lowe's.  It costs ~$3 to $4 (I don't remember exactly) and comes complete with the stainless steel clamps.  To ensure electrical continuity to the CT 22, I used a short length of braided copper wire.  One end of that wire runs between the gray fitting at the top of the DD and is folded over the ID of that fitting, and thus wedged between the gray fitting and the Festool Hose Connector Sleeve which is made of Anti-static plastic, as are both of the Festool hoses used in my setup.  The other end of the copper wire extends from the gray fitting extends underneath both of the stainless steel clamps of the black fitting and that end of the wire is folded over the inlet end of the black fitting and thus wedged between the black fitting and the inlet hose coupling.  I have had no static accumulation problems with this arrangement.  The light colored tape that you see on the gray fitting simply holds the wire in place when I remove the connector sleeve and 50mm hose to dump the DD.  Since installing the DD, I have not had to change the bag in my CT 22 or clear the HEPA filters.  But I am a hobbyist and don't use this equipment to suck up drywall, cement board or masonry dust.

Dave R

 
Back
Top