Four Piece Entertainment Center and Bookcases

asmang said:
Dave,

This is really great.  I'm in the process of designing my own entertainment center and will be using many of the same tools for construction, so your detail in how you're using the equipment is especially appreciated.

I'm curious about what you did for cable and power management?  I notice in your picture that you have an outlet behind the unit to the left and lighting above.  Did you install a strip anywhere and, if so, did you include channels to run the wires?  It may be too late now, but a few of the back of the unit would be great as well.

Congrats on a great project!

Greg

Greg, I had planned to write more on that later, but here's some information you might be able to use.  Notice the ~3 inch high "toe kick" at the base?  If you could see a back elevational view, or a bottom view of the Console, you would see a network of ~1" x 3" boards forming a subbase and adding rigidity.  But there is not a continuous board extending across the rear like you see on the front.  Instead, in plan view, there is a U-shaped recess into which can be fitted the surge protector power strip.  The depth dimensions of the interior vertical panels and shelves of the Console are 1 inch less than the depth dimension of the sides, and I made some deeper cutouts at the rear edges of the fixed shelves on the left and right to provide space for cables.  Although hidden by the TV, the cabinet surrounding it that sits on the Console has a single board at its base that extends across to join the sides of the upper cabinet.  The bottom edge of that board has a large cutaway area near the center of it span so the cables can be fed over the top of the Consol and beneath the base of the upper cabinet that sits on the Console.

Dave R.
 
Chapter III -- Entertainment Center

Playing with Dominos, aka making a lot of holes in my boards.

After cutting the components to width and length, I marked them using a graphite pencil where I would later want to remove the marks, and sometimes used a permanent marker on ends and edges that would not be seen upon assembly or installation, and began to machine the many mortices using my Domino machine.  (A gray Eberhard Faber Artgum eraser works great for removing graphite pencil marks, much better than pink rubber erasers.)  I didn't keep count of the number of dominos used in the Console but I did for the TV Cabinet that sits on top of the Console in which there are 100 5mm dominos.  For some of the mortices, I used the base of the Domino machine as my reference while at other times I used the fence.  Likewise, for some operations I used the bottom surface of the workpiece as a reference while at other times I used the top surface.  Frequently, I used the 1/4 inch thick oak boards I had prepared as shims to support the workpiece or the Domino.

The order of construction of the Console is as follows.  The photo immediately below of the mostly complete Console may help a reader to follow my description.

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The side panels are permanently joined to the base panel and to the short shelves on the left and right with glued 5 mm dominos.  In like manner, the vertical partitions that support the adjustable / removable shelves in the center are joined to the short permanent shelves with dominos.  The vertical partitions are joined to the base panel with screws, although I did make a few domino holes before I changed my approach which you can see in the foreground of the following photo.

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First, I first marked the plywood panels that would make up the sides, and cut the two rows of mortices into the inside faces of each side panel.  To ensure placement of the mortices at the desired elevation and front-to-back edge registry, I made a template using a scrap of plywood.  On both side faces of that template I marked lines identifying the reference edge of the template to be lined up with the reference edge of the side panels, e.g. the "front edge", and lines corresponding to the centerline (widthwise) of the domino mortices to be cut.  Using my large precision carpenter's square, I drew lines across the side panels that I used to position the template I had made.  With the template clamped in place over the panel on the MFT, accurately locating and cutting the mortices so all the pieces would join together as intended was relatively simple.  Here is a photo of the template in use to cut the mortices in the side panels.  In this photo, the mortices are being cut for the base panel.  Note the orientation of the Domino machine, its base is being used as a reference against the template.  Actually this is not the true template, it is on the right in this photo and the next two photos.

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Because the base panel is made of 3/4 inch thick plywood, the mortices to be made in the ends of the plywood base panel using this technique will not be located at the centerline of the thickness of the plywood, they will be slightly above the centerline of the plywood.  To correctly match the mortices to be made in the base panel, the Domino base and bottom side of the base panel have to be used as the reference surfaces.  If these reference surfaces are not kept straight as the work proceeds, the base panel is going to be at a different elevation than intended (in this case higher) and the mortices to join the shelves and partitions are not going to match as intended. This is because I did not take care to ensure that the spacing within a row of the mortices was equidistant from the front edge and back edge and one another.  There is no need to make them so.  Worse yet would be to use different reference surfaces for the left side and the right side components of the Console, unless perhaps you're trying to make a modern art statement.

Here is a photo showing the orientation of the Domino machine to cut the upper row of mortices in a side panel.  The piece of 1/2 inch plywood is the actual template I used.  These mortices will be used to join one of the two short permanent shelves to a side panel.  (I apologize for the text box within the photo incorrectly stating this is a partition panel.)  Note that the reference surfaces are now reversed, and that fact must be kept in mind when cutting the mortices in the corresponding short shelves.

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Lastly, here are two photos in which I have inserted my "Check Block" which is nothing more than a short piece of scrap plywood into the edge of which I have cut a domino mortice.  The check block is marked to indicate which would be the best face veneer of the plywood.  Note this check block can also be used to help ensure correct placement of the template and relative orientation of the Domino machine and panels prior to cutting any of the mortices.  You can also barely "kiss cut" a mortise to a shallow depth, remove the Domino and use the check block to confirm the mortice is where you want it before machining the mortice to its full depth.

Here is a photo of my Check Block in use confirming correct elevation of mortices.  Note the absence of any gap between the Check Block and the plywood strip clamped across the workpiece.
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When the Check Block was reversed face for face, there exists a small gap between the face of the Check Block and the top edge of the scrap of plywood that is clamped across the side panel.  This is what would happen if the plywood cross panel to be joined to this workpiece is reversed (flipped) face for face. 
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Dave R.

 
Chapter II continued

The mortices in the edges of the base panel and the short shelves were cut with the shelves clamped flat against the top of my MFT, with the base of the Domino referenced against the MFT top.  When morticing the ends of the base panel, the BOTTOM surface of the panel was placed in contact with the MFT top.  When morticing ends of the short shelves, the TOP surface of each shelf panel was placed in contact with the MFT top.  Because no other components are located immediately above or below these short shelves, the shelf pieces could have been flipped end for end upon installation and still fit perfectly horizontal, but the elevation would be slightly different and the chosen (better appearance) veneer face might not end up where it is desired.  For that reason, I also marked each panel so I could identify each face and edge, and whether it was to become part of the left or right side of the Console.  I put the better veneer face up on these short shelves, so that required the better face be placed down against the MFT top when cutting mortices.

I used the same template used to locate the mortices in the side edges of the bottom panel and short fixed shelf panels.  At first I used the template like a story stick to mark the centerline location of each mortice in the ends of the bottom panel and short shelves.  I lined up the reference line at the side edge of the template with the front edge of the panel and then used the lines on it to mark on the panel whose edge was to be morticed.  Then I removed the template and drew a series of lines on the face of the panel using a small square, and used those lines to line up my Domino for each mortice.

Then I realized that that additional marking using the template was not necessary.  All I had to do was place the panel with the correct face down against the MFT top, then position the template on top of the panel and lined up with the side edge of the panel and the front edge of the panel chosen as a reference, clamp down the template to the MFT and cut the mortices.

Use of Domino machine to cut mortises for application of solid wood edging strips to 3/4 inch plywood panels.

The front and back edges of the side panels have solid oak strips attached with glued 5mm dominos.  The front edge strip is 1 inch thick and 1 1/4 inches wide, and joined to the panel so that the edging overhangs both faces of the side panels by 1/4 inch.  I marked the top and bottom ends of the strips and the panels and their faces and also numbered them so I would know later which pieces should be joined and in what orientation.  I did not use the registering dowel pins or the Cross Stop (Item #493488).  I have had some problems in the past when using these with (Chinese) plywood due to some debris hanging within a previously cut mortice interfering with registry of the dowel pin.  At about US$85 per 4 ft x 8 ft x 3/4 inch sheet, I did not want to ruin any of that plain-sliced oak veneered plywood.  In my prior use of the dowel pins to register successive mortices along the workpiece, I found that I had to peer under the Domino after cutting a mortice to ensure that the dowel pin was fully engaged against the end of the mortice I had just made and not catching on some "chaff"; that seemed more work and risk of problems than I wanted to risk.  So, instead I used pencil marks and visually aligned the Domino machine for each mortice. 

To faciliate marking the mortice locations for adding edging to the panels, I placed the panel with the edge piece to be joined to it on the panel and lined up so their exposed edges were flush.  While holding them in this position, I drew a series of lines along their exposed long edges corresponding to the locations of the dominos, placing one about 2 inches from each end of the strip, and about every 6 inches therebetween.  I also marked one end to be the reference, so I could cut the first mortice nearest this end of the associated pair of workpieces was cut with the Domino on its narrowest setting.  For the remainder of the mortices, I either used a wider setting, or plunged using the narrowest setting, then moved the Domino slightly to a side of the centerline and plunged again.  By making the first plunge slightly to the left of the centerline and the second plunge slightly to the right of the centerline, you can quickly make a series of mortices that are just a little wider than the dominos yet narrower than the middle setting on the Domino machine.  I don't like having any more void area within my projects than is necessary to assemble them.  Then I used a small square to continue those marks onto the adjacent faces of the pieces to be morticed, so the marks would be visible when using the Domino machine.

There are at least three different techniques to mortice the edging and its associated panel to assure they line up as desired when assembled.  One is to reference off the bottom surfaces of the Domino and workpiece.  A second technique is to reference off the top surfaces of the workpieces and not worry about getting the mortices exactly in the middle of the thickness of the workpieces.  A third technique is similar to the second technique, but care is taken to set the height of the Domino fence so that the mortices are very near the midpoint of the thickness of the workpieces.

The first technique is shown in the photo immediately following.  Although the following photo depicts use of the Domino machine to mortice a rear edging strip for either the TV Cabinet or a Bookcase section of the Entertainment Center, the same technique was used to mortice the edging for the sides of the Console.  The setup shown in the photo will cause the front and rear edging strips to stand proud of the panel by the thickness (1/4 inch in this project construction) of the shim boards placed under the panel and base of the Domino.  If you look across upside surface of the panel (which will be the inside surface in the finished construction), you can see that the edging on the opposite (which is the front) edge of the panel stands proud of the panel.  The face of the panel that is up in the photo is the inside face and the back edge of the panel is in the foreground just behind the edging strip.  Both the Domino machine base and the panel behind the edging are being supported on strips of 1/4 inch wood, and what will become the outside-facing face of the edging is clamped down in contact with the MFT top as needed. 

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I used the technique shown in the above photo for application of some of the edging strips, but I also used a seond Domino morticing technique in which the mortice elevation is referenced off the top surface of the workpiece to be morticed.  This second technique is much preferred when you want a surface of the edging to be flush with the panel to which the edging will be joined with dominos.  In this technique the fence of the Domino machine is set at 90 degrees and is pressed down onto the reference surface of the workpiece to be morticed.  If you go to the Gallery and enter "domino" in the search box, you will find among the "hits" a photo (IMG_7390.JPG) by Bill Wyko that shows a mortice being made using this technique into the edge of a sheet / panel he created.  Referring to my photo above, if the Domino machine is reset to have its fence at 90 degrees (so face of the fence which is its registration surface defines a plane parallel to the axis of the cutter) as shown in Bill's photo and is pressed down by the forward handle on the fence onto the surface defined by the top surfaces of both the edging strip to be morticed and the panel surface behind the strip, the inside surfaces of the edging strip and the panel will line up flush when the parts are joined.  Note how the top surface of the edge strip being morticed is flush with the surface of the panel.  This second technique is the one I most recommend for applying edging where the joined surfaces must be very near to flush and you don't want to have to use a flush trim router bit after joining them, and you don't dare risk sanding through the thin face veneer of the plywood.  For me, this technique produced elevation matched pieces that needed only some scraping and light sanding which did mostly with my ETS 125 and LS 130 using 120 grit and higher abrasives.  I made certain that none of the shim boards shown in my photo used in the first technique were positioned under the base of the Domino so it could not rest on them instead of registering only through the Domino fence.  When using this second or the third technique, either elevate the workpiece relative to the top of the MFT to provide clearance under the bottom of the Domino or positon the workpiece so it is cantilevered out beyond the edge of the MFT.

I also used a third technique in some of the construction.  If I wanted the mortices to be very near to the center of the thickness of both the plywood panels and the front edging strips, I found that, too, was not hard to do.  I also used this technique to cut mortices into the side edges and ends of the edging strips to form a face frame upon assembly of some of the front frame pieces of the Entertainment Center.  I did not get to this confidence level until construction of the TV Cabinet which I made last.  I measured the actual thickness my plywood using a digital caliper (available from Woodcraft and others for about US$40), then set the height of the fence of the Domino to one half the measured amount.  Perfect centering was not needed for this operation.  As I progressed through construction of this Entertainment Center and experimenting with use of the Domino machine, I realized that I could come very close to the center of the thickness of the plywood or wood edging strips by simply marking the centerline of the wood piece then eyeballing the location of the Domino pins as I adjusted the height of the Domino fence.  I also noticed on my Domino machine, when viewed at front quarter angle from either side, there is a highly visible horizontal mold partition line in the aluminum housing adjacent the bosses into which the dowel pins are fitted that appears to closely correspond to the centerline in elevation of the dowel pins.  I don't know if every Domino machine has these visible features, but I would expect them to.  Sometimes I used that flashing/parting line to make the fence height setting when I wanted to center the mortices relative to the thickness of the workpiece.  The dowel pins appear to be at the same elevation as the centerline of the Domino Cutter, so if the dowel pins and that mold parting line appear to be on the thickness centerline of the workpiece to be morticed, so will be the mortice.  I also found I could easily visually check the elevation setting of the Domino fence, especially in plywood because the veneer layers serve as a guide.  I drew a pencil line corresponding the the thickness centerline of the 1 inch edging strips and used this to confirm the height setting of the Domino fence.  I needed to do this several times while assembling the TV Cabinet with its fully dominoed frame.  Checking this visual technique against actual mortices and the thickness of the plywood and other components I was making indicated I could usually get within 1/2 mm of center of thickness with little trial and error.  That is close enough most of the time, but not if working with thin veneered plywood onto which you are trying to apply a flush edging strip.

Also, when morticing these edging strips, it is important to first position each strip relative to the panel to which it is to be joined in the oriientation you want the pieces to be when assembled, and to make your pencil marks for the mortices while in this orientation.  After marking the edging, flip it end for end keeping the same edge surface up, position it against its associated panel and cut the mortices.  Again, it is very helpful to mark each piece of edging and panel so you know which pieces go togeher when you're ready to glue-up.  I did not glue on the edging until I completed several stages of dry fit checks and drilled the shelf pin holes using my LR 32 Guide Rail and Hole Drilling Set (Item #583290) with my OF 1400.

For morticing the ends of the edging strips, which I did as I progressed through several dry fit checks, I used Festool's Trim Stop (Item #493487).  In contrast to my experience with the Cross Stop (Item #493488), I had no problems using the Cross Stop.  I found it very easy to install on the Domino and very easy to setup to center the mortice in my 1 inch thick by 1 1/4 inch wide front edging stock, and surprisingly accurate.  [Based on this experience, making some chairs may be in my future!]  The Cross Stop was not used in construction of the Console, but was used in construction of the Bookcases and TV Cabinet which rests on top of the Console.

Mortising the Edging for the Top of of Console

The main panel of the top of the Console is a piece of 3/4 inch veneered plywood.  It is surrounded by a mitred three-piece frame of oak stock 1 inch thick by ~2 inches wide.  The mitred frame is attached to the plywood panel with dominos.  As you can see in the photos of the finished console, the mitred frame and center panel are flush on the exposed top surface, but offset 1/4 inch when viewed from the underside.

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Here's a view of a the underside of a front corner of the Console top.
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This was my first attempt at using the Domino machine for applying mitred edging, and also my attempt at cutting the mitre joints.  Unlike a picture frame whose center is hollow, there is no room for error here.  All of the cut edges must be straight and clean and the elevations, lengths and angles must be exact.  My approach to these issues was to always reference the Domino off the top surfaces I wanted to be flush when joined, then to machine the mortices into the edges of the plywood panel and framing pieces to be joined.  I first cut the framing stock to have a couple of inches of extra length, so I could tweak the mitres if needed.  Then I cut a mitre on one of the short frame pieces and on one end of the front frame piece.  Sorry, Festool, I made the mitres on my table saw; I did not want to clear my MFTs to do them with Festool equipment, and I don't have a Kapex or other quality mitre saw.  After I was satisfied with the fit of the mitred pieces for one corner to one another and the front and one side edge of the top panel, with them in position relative to the panel I marked out the locations of the mortices using a pencil.  I did not cut the other mitred corners until I was satisfied with the fitment of the first corner pieces to themselves and the center panel.  I did not have any extra 4/4 stock from which to cut new framing pieces, so I proceeded cautiously, incrementally working toward the final goal.

The first photo below shows the mortises in one of the side framing members.  The mortices adjacent the mitre were intentionally made extra wide to enable the pieces to be rotated somewhat into final positon as they are slid together.  If the mortices are tight relative to the width of the dominos, the mitred pieces with their dominos cannot be assembled to both themselves and to the center panel.  Note also the double tenons in the mitre joint.  To position these mortices, I simply laid a pair of 5mm dominos on to of the mitred pieces while they rested on the MFT top, and made a pencil mark corresponding to the approximate centerline of each domino.  That visual technique also assured I would not cut through the mitred frame pieces provided I kept the Domino machine set to plunge 15mm, which I did.  Then I removed dominos and extended my pencil marks using a try square postitioned against the cut edges of the mitres.  Then I cut the mortises with the Domino machine.  I did several dry fit attempts and extended the width of the mortices as needed to enable the joints to be brought fully together and the domino tenons to be fully seated in their mortices.  I could see where the mortices needed to be widened as rotated the framing pieces into position, and made pencil marks to help guide my placement of the Domino machine to widen the mortices.  This was easy to do with the Domino machine, all I had to do was simply move the machine laterally from my centerline by the amount I wanted to widen the mortice.

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Several dry fit checks were made; the mortices were widened as needed to enable full closure of the mitre joint and contact along the full lengths of the framing members and the center panel.

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Here is the final dry fit.  The glueup looks the same.  All of the pieces came fully together.  The joints have remained fully closed since the finished Console was brought from my garage into my house a few months ago, despite the lower humidity in the house.

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More to come.

Dave R.

 
WOW Dave, this morning there was more to read than I could get through in one breakfast.  I need to get to work, so I will save the unread material for tomorrow morning.

I don't have a Domino, but it is informative to learn how you are using yours.  I think that my Dowelmax could manage similar joints, but I am not certain.

I particularly enjoyed a chuckle over this sentence "Worse yet would be to use different reference surfaces for the left side and the right side components of the Console, unless perhaps you're trying to make a modern art statement."
 
Thanks, Frank.  Re the Domino machine, I could almost say "I love my Domino"; in my opinion it is that good.  One feature it lacks that I wish it had is the ability to simply drill upon plunging without the sideways oscillation.  Then it could also be used to quickly and accurately bore holes perpendicular to any work surface, or at whatever angle the user chooses.  It would then become essentially a miniaturized, portable, precise drill press while retaining all of its present, unique capabilities.  Many times I have needed to precisely bore through something that cannot be brought it or loaded onto a drill press table, and the best I could do was to make a hardwood drill bit guide block (bushing) on my drill press for use with a handheld drill at the primary workpiece.  If the Domino had the ability to simply bore a cylindrical hole, it could also be used with dowels.  A single dowel can be used as a rotary joint, a domino joint cannot.

Dave R.
 
Chapter III -- Entertainment Center Console continued

Drilling the Console Shelf Pin Holes

After cutting all the mortices on the panels, I used my LR 32 Guide Rail (Item #491621) together with my LR 32 Hole Drilling Set (Item #583290) and OF 1400 router fitted with a Whiteside brand ? inch solid carbide double-fluted straight bit to drill a pair of rows of shelf pin holes on the confronting faces of the vertical partition panels of the Console.

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Because I did not need to adhere to the dimensional standards for the Euro hinge system, I held the panels together in elevational alignment and used my large precision carpenter's square to draw a lines across the inside faces of the panels where I wanted a row of shelf pin holes to begin.  Then with a pair of Festool's Edge Stops (Item #4857580 installed on the LR 32 Hole Drilling Guide Rail, I positioned the LR 32 Hole Drilling Guide Rail on the panel to be drilled with a hole of the LR 32 Guide Rail centered on my pencil line.  This simple technique allowed me to position (in elevation) the holes wherever I chose rather than being limited to the specific distance of a given hole in the LR  32 Guide Rail that will result from use of the Linear Stops that are supplied with the LR 32 Hole Drilling Set (Item #583290) and installed in the end of the LR 32 Guide Rail in use.  (See the tutorials of Brice Burrell or Overtime or Mirko for instuctions on use of the components of the LR 32 Hole Drilling Set (Item #583290) as Festool designed them to be used.)  Below is a series of three photos that illustrate the techniques I used to drill the holes in the Console panels and later in the bookcases.  In making the Bookcases, the rows of shelf pin holes were much longer than in the panels and I had to "walk" my 42 1/2 inch long LR 32 Guide Rail lengthwise to continue a single row of holes.

Note particularly the pencil line.
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Results.  Holes where I wanted them.
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Assembling the Console
You might think by now that I was ready to begin assembling the Console.  You'd be partially correct, but not completely.  I glued the front and rear edging onto the side panels, the front edges of the partitions.  For the adjustable shelves, I added 1 inch thick edging to one long edge and 1 inch thick edging to the other, thus enabling the adjustable shelves in the center comparment of the Console to be installed in either orientation to give a different appearance as shown in the following two photos.

Console shelves with 3/4 inch thick edging in front (corresponding to the thickness of the plywood panel of the shelf).
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Insert Photo 091 (small edging)

Console shelves with 1 inch thick edging in front.
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But those photo are getting ahead of the chronological order in which I built the Console.  Due to several small interior spaces, I decided to try prefinishing the components of the Console before final glue-up assembly.  But before that I did another dry fit check.  It is difficult to see them in the photos, but I made four gauge blocks from scraps of wood to the length corresponding to the width of the narrow permanent shelves (one on the left and the other on the right in the photo below) and set them on top of the base panel to ensure that the vertical partitions would be correctly located.  Look in the lower left of the following photo for the piece of blue tape which is on one of the four gauge blocks.
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With them in place, I installed 2 inch long Spax screws into the partitions from the bottom and used these for subsequent dry fit checks and for final assembly.  These screws are premium priced, but they can be used as self-drilling screws in wood and similar materials, and with a pilot hole, even into concrete.  (I used pilot holes to mitigate any risk of splitting the wood which I think is more of concern when the screws are being driven parallel to the faces of plywood.)  Their heads are very precisely formed and a Number 2 Posi-Drive bit fits perfectly unlike the sloppy engagement and resulting camout that often occurs with Phillips head and even square drive (Rorbertson) screws of lesser quality.  About this time I thought I was going to run out of clamps, so many were required for the dry fit checks as more Console components were added.  (I turned this into an opportunity out of it by having my wife come to see the my progress and showed her why a woodworker can never have too many clamps!  She had previously questioned why I would ever need as many clamps as I own.)

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While the Console was assembled for a dry fit check, I fit the front edging that would later be glued and secured with dominos, and also the front toe-kick board (not shown in the photo above).  If you look carefully just under the top you will see a board extending from the left side panel to the right side panel.  That board and another like it were let into notches I cut into the vertical partitions and fastened to both side panels and both partitions with screws.  The kick-board was also drilled for installation of pocket hole screws.  To make the pocket holes, I used a Kreg jig fitted with my shopmade dust collection hose adapter. I made the adapter from a section cut from a Carlton brand PVC electrical conduit 90 degree bend, 1 1/4 inch diameter, I think.  Festool's 27mm tool end hose fitting (Item #487071) is too large to fit into the blue-colored dust collector supplied with the Kreg jig, and Festool's 36mm hose fitting (Item #487721) is too large to grip the outside of the Kreg collector nipple.  Below is a photo of my adapter in use.  If you decide to make an adapter like this, note that you will have to slightly enlarge the end that fits onto the Kreg dust collector shroud by grinding away a little of the plastic.  I used a small sanding drum mounted in my drill to do this.  The wall thickness of this conduit is quite thick (Schedule 80).  You can remove the tool end fitting from your Festool 27mm hose and take it with you to HD or Lowe's to ensure you get the right size of conduit, and you just might something that fits even better without need to grind.  Use of a curved hose adapter reduces the stress on the mounting of the Kreg shroud which is fairly easy to to pop loose.  When the Kreg jig with shroud is used with a CT 22 at full power, nearly all of the drilling chips are captured at the source.  This jig could be mistaken as a Festool if it wasn't some furrin' Farbe blau.  Removal of the chips as they are created also reduces stress on the special drill bit used with the pocket hole jig and enables drilling the holes with a faster feed rate.  The more I use the Kreg jig, the more I like it for assembly of components where the pocket screw holes will be hidden from view.  I used the Kreg jg later to drill pocket holes on the top and bottom panels of the Bookcases and TV Cabinet; these helped draw the domino joints together.

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I made the door frames from 5/4 oak stock (true 1 inch thick).  The pieces were cut to exact length with square ends on the MFT using the flip stop supplied with the MFT 1080, and the butt joints were morticed with the Domino machine for a single 10x24x50mm domino at each joint.  After glue up, I clamped the door frames to the top of my MFT using Clamping Elements (Item #488040 and / or F-style Quick Clamps (Item #491594) and sanded them flat using my RO 125 followed by my ETS 125 on top of my MFT.  After assembly of the door frames, I made another dry fit check, this time with the edging installed.on the base panel.  In one of the near final dry fit checks I installed the hinges to help ensure proper clearances before applying any finish coats.  On the backside of the doors, I routed a rabbet using a bottom bearing bit and hand chiseled the corners to accept later installation of the decorative glass panels, and ordered the glass.  The glass was not installed until after completely finished.

Sorry, but I could not find a photo of the door frames showing the back side.

After I finished drilling the shelf pin holes, and was satisfied with the dry fit check, I began to assemble the Console components with glue.  I glued the front and rear edging strips onto the sides and other plywood panels and shelving.  Then where needed I scraped and then sanded the edging and panel surfaces flush, using mostly my ETS 125 and LS 130 sanders.  For most of this work I preferred the fine degree of control provided by the LS 130's linear motion, which is much like hand sanding except much faster, and with less airborne dust.  The LS 130 is certainly not an aggressive sander compared to others in Festool's product line, but if you want to remove material a little more aggressively all you have to do is hold the sander so its back and forth motion is at an angle to the grain direction.  Then return to sanding with the grain to remove those cross-grain scratches.  Not once did I cut through the very thin oak veneer of the plywood.  I was concerned about this as I had never before built a furniture project using veneered plywood panels for the main surfaces; I was a traditionalist who glued up the needed panels of solid wood boards.  An additional advantage of the LS 130 for this task is that it eliminates the risk of creating deep sanding scratches across the grain the remnants of which only show up when you apply a pigmented stain.  I learned this the hard way even after sanding with my ETS 125 through 220 grit, and had to scramble to wet sand out such scratches while staining some of the components of this Entertainment Center.  That was a lot of extra work and a waste of sandpaper I would rather avoid in the future; besides, the very thin veneer can be easily cut through when trying to remove scratches created by a rotary or orbital sanding machine by further use of a rotary machine with fine abrasives.

I glued the short shelves to their respective partitions before gluing these sub-assemblies to the rest of the Console.  As can be seen in the photo below, the MFT proved very useful for this task because I could draw the glued domino joints together by tightening the bar clamps the bottom jaws of which engaged the bottom edge of the side rails.  [Remember that I am working alone and don't an extra pair of hands to help with these tasks.]  Even though I sanded the 5mm dominos and chamfered their ends, a lot of force was required to seat them fully close the joints between the components being joined.  Most of my construction used original dominos sold under Item #493296.  Despite spending a lot of time sanding there faces and edges, they were still a very tight fit.  Festool has changed the dimensional specifications for their 5mm dominos; the reduced size ones are sold undere Item #494938 and are significantly easier to put into a domino mortice.  But I did not have any of the new Item number until I was nearly finished with this entire Entertainment Center.  I found this out when I needed more 5mm dominos to complete this Entertainment Center.  This domino fitment problem seems to be limited to the 5mm dominos; the 10mm dominos were a "tight slip fit" during dry fit check and the joints not difficult to draw together with clamps or a mallet when gluing up the door frames.

normal_088_sml_Glueup_of_Console_Shelf_to_Partition.jpg

The cutout region with the curved ends in the vertical panel in the above photograph will become the right side fixed shelf when this sub-assembly is joined to the side and bottom members of the Console.  The cutout region on the back edge of the short shelves of the Console can be used to route electrical cables, if needed, to equipment on the shelf.  When I started designing this Console, the cable decoder box was small enough to fit easily on this shelf, but the DVR they replaced it with cannot.

After completion of these sub-assemblies, and final sanding, I applied stain and finish coatings to them, prior to final assembly of the Console.  There were so many components that I cannot show them all in a single photo.  They were strewn all over my shop to dry between applications of additional coatings.  If you continue reading through my story, you'll learn how I changed my order of work when making the Bookcases and again when I made the TV Cabinet that rests on top of the Console.

normal_090_sml_Prefinished_Console_Components.jpg


More to come.

Dave R.

 
Chapter IV - Finish Schedule and Notes.

Finish System, Problems and Solutions

The finish schedule I followed for nearly all components of this Entertainment Center is listed below together with some notes based on what I learned making this Entertainment Center.  The finish system I used is a combination of solvent based and water based coating materials, applied using a combination of brushing, wiping and spraying.

1.Sand through 220 grit.  I used Festool sanders and Festool Brilliant abrasives for 180 and 220 grit, for lower grit numbers I used Rubin interchangeably with Brilliant.
2.Vacuum all surfaces to be finished using the brush attachment on the shop vacuum.  I also vacuumed every surface I could reach in my garage / shop to reduce creation of airborne dust during later spray applications of coatings.  If possible, I recommend applying the finishes in a different room than was used for machining and sanding the pieces to be finished.  I did not have that option, although for some of the finish applications on some components of the Entertainment Center the weather permitted me to apply the spray coatings outside.  That has its own set of associated problems, in my setting including rain, very high humidity, insects landing in the wet finish coat, and due to my lot having many large trees that border my driveway, leaves and pine needles landing in the wet finish coat.
3.Wipe all surfaces to be finished with a clean, dry microfiber cloth.  I used the same gold-colored cloths I had purchased from Griot's Garage a few years ago for use when hand polishing my cars.  They are reusable indefinitely provided you properly wash them to remove accumulated dirt and dust.  There are differences in quality among brands of microfiber cloths and different fiber types, diameters, lengths and numbers of fibers per unit area.  Do not use fabric softeners when laundering them.
4.Apply wash coat of 1 lb cut alcohol base shellac.  I used Zinnser's Seal Coat and diluted it with denatured alcohol.  This was applied with a brush.
5.Apply oil-based stain.  I used General Finishes wiping stain, Pecan color.  This product is very slow drying even under ideal conditions of low humidity and temperatures around 75 degrees Fahrenheit.  For the Console, I applied a second coat of the same stain a couple of days after the first.  There did not seem to be much effect on the depth of color, although it did turn out slightly darker in appearance in some lighting conditions than some of the Bookcase components on which only a single coat of stain was applied.
6. Apply wash coat of alcohol base shellac.  I used the same 1 lb cut Seal Coat as above.  This is where I ran into a major problem.  Do not brush this coat.  As I brushed on the shellac, the solvent apparently began to attack the binder used in the oil-base stain, and the stain started to smear with my brush strokes, being removed in some areas and deposited overly thick and dark in others.  Eventually, after some quick removal of the excess, and some quick restaining / touching up of the lighter areas and blending efforts, I repaired much of the blotchiness.  If you look carefully in the below photo which shows the top surface of the bottom panel, you will see what remained of the problem.
Insert Photo 089.
I entirely avoided this problem with the stain by spraying a light mist coat followed by a slightly wetter coat of the 1 lb cut Seal Coat when finishing the rest of the this Entertainment Center.
7.Apply wet coat of Target Coatings' Oxford Brand Amber color water based shellac.  No dilution was used.  I simply poured it through a paint strainer into the cup of my Fuji HVLP spray gun.
8.After the water based shellac is dry, inspect the surface.  Respray with water based shellac if coating appears rough or insufficient.  If the first spray coat felt roughtor appeared to entrapped sanding dust or raised wood fibers, I lightly sanded the coating with 320 grit wet or dry  (black silicon carbide) sandpaper to knock down these high spots.
9.If you sanded the shellac coating, wipe it down with a microfiber cloth.
10.Apply wet coat of Target Coatings Oxford brand vinyl sanding sealer.  This material was rather viscous as packaged by the manufacturer.  Generally I slightly diluted it using distilled water, or water collected by my basement dehumidifier.  Tap water is likely to contain minerals and chemicals which may chemically interact with Oxford's water based products.  The main reason for diluting this sealer is to help avoid the coating bridging over the pores of the red oak.  I wanted to partially fill them with the finishing coats.  I did not want them fully filled since other commercially manufactured oak furniture in my house does not have fully filled pores.  Let the coatin fully dry. Under good conditions of moderate temperatures and 50 ? 60% humidity will likely only take about one hour.
11.Inspect the dried coating and recoat if you think it necessary.  Again, you are looking for spot with defects compared to the areas immediately surrounding them.
12.After the sanding sealer coats have fully dried and hardened (I allowed at least a couple of hours), sand the surfaces with 320 or 400 grit wet / dry abrasive.  How far this coating is knocked down by sanding will significantly influence how much the pores appear to be filled in the final finish.  The more this seal coat is knocked down, the smoother and less open porous the final finish will be.
13.Wipe with microfiber cloths.
14.Apply wet coat of Oxford brand water based gloss lacquer and let dry.  Apply another wet coat if desired.  Whether or not this is advisable is dependent on many factors, a very important one of which is spray gun operator technique.  I have found that I can set a spray gun so that I get a good even but thin wet coat, then hand that gun to another person who will have problems achieving the same result due to holding the gun at a different distance from the surface being sprayed, holding the gun at a different angle or moving the gun at a faster or slower speed.  I recommend experimenting on the underside surfaces of a workpiece or some cardboard or a sheet of paper to get a feel for how operator technique and spray gun settings influence the result. 
15.Inspect finish. Knock down any dust bumps with 400 grit wet or dry sandpaper if the surface bumps can be felt with your bare hands.
16.Wipe with microfiber cloth.
17.Apply wet coat of Oxford brand water based semi-gloss lacquer.  Let dry.  Inspect finish.  If clean and smooth, proceed to next step.
18.Apply second wet coat of Oxford brand water based semi-gloss lacquer.  Let dry.  Inspect finish.  If smooth and free of defects., you are done.
19.Let the finish continue to dry and harden.  Several days are required before the finish fully dries and cures and reaches its full hardness and resistance to physical (abrasion) and chemical substances (spills).
20.Take a well-deserved rest and  Admire your hard work!

Notes regarding the above listed finishing schedule and materials.

A.  Red oak often contains significant amounts of tannins (tannic acid).  Many of Target Coatings water based products are highly alkaline, and potentially reactive with the tannic acid in the oak.  For this reason, Target Coatings website recommends using oil-based stain and sealing that stain with solvent base dewaxed shellac (which Seal Coat is) followed by a coating of Target Coatings water based shellac which they consider to be a universal sealer compatible with all of their other coating materials.

B.  If you realize you have applied too much finish, you can simply wipe it away with a dry cloth or even a paper towel, with any of these water based coatings.  A run on a vertical surface is obviously too much finish in a single coating.  So is an area in which the coating appears overly thick as evidenced by a thick wet, shiny layer that is milky in appearance.  After wiping the excess away, let the remaining finish dry, and later recoat.  This is an advantage of Target's water based coatings that does not exist with solvent based lacquers I have used in the past.

Next installment - building the Bookcases.

Dave R.
 
Dave: This is a great thread. Thank you very much for posting in such detail. As a new owner to Festool, everything I see sure helps me understand how to use the system. Pictures are so much easier to understand than 10,000 words.  :)

Mark
 
Thanks, Mark.  I bought my first Festool, an RO 125 about 3 years ago.  But I used a Shopsmith and other hand and power tools for many more years as a hobbyist and serious DIYer.  By serious, I mean projects like removing the main wooden beam of my house and replacing it with an iron beam to get rid of a centerpost, building a fireplace replacing most of the copper plumbing in my house, and cutting and threading the iron piping needed for installation of gas furnaces and fireplace gas lighter, installing foundation drains, making my own flooring starting with green lumber selected at the sawmill, harvesting and my own trees.  I don't mean to brag, I'm just stating some of my experiences gathered over 40 years.

Dave R.
 
Dave you are not bragging! This is a forum and talking about tool, woodworking and construction experience is the point, isn't it?

And so what if you did brag, you can back it up!

Nice thread.

Nick
 
Entertainment Center Console Construction --- continued

Installation of the Glass Panels in the Doors of the Console

The glass used in the doors was ordered from a local glass supply house, but they in turn had to order a sheet of the specific type of glass that was chosen for the doors of the Console.  This glass has a relative smooth front face, but the back face is very bumpy due to the presence of many small, rounded mounds of glass.  It is called "Pebbled Glass" by some vendors.  From the front side from a distance, it looks similar to some seeded glass materials.  It is available with differently sized "pebbles."

The vendor cut the glass slightly longer than the dimensions I had specified, and by the time it arrived I had already completely finished the door frames.  To shorten the panels, I hand ground them using a small metal disk with ~60 grit diamond bonded in nickel on it flat faces, keeping the surfaces cool and lubricated by frequently wiping them and the diamond disk with a sponge dipped in water.  I purchased that disk at a Woodworking Show for use in touching up some carbide masonry drill bits but have yet to use it for sharpening.  I have used it several times to ease the edges on other pieces of cut or chipped glass, though.  Installation was straightforward once I finished removing about 1/16 inch from the glass panel, which took me about 30 minutes.

Lesson learned:  Always have components such as these glass panels on hand before making the furniture components.  It will save you a lot of time and frustration doing rework.

To install the glass, I simply laid the door frames down flat, inserted the glass panels, then applied a few short length "spot beads" of DAP's 50 year life Clear Acrylic Latex Caulking. Spaced around the inside edges of the frames where they meet the glass.  This caulk product is milky when applied but turns clear within a day.  I left the doors laying with their front faces down flat for a day, then installed them on the Console.  After the caulk dried, it is almost undetectable from the outside and even the inside unless you come close and study the doors trying to determine what is holding in the glass.  The caulk spot beads hold the glass very firmly; there is no rattling, yet the resilient bond allows relative expansion and contraction movement between the door frame and glass.  If I ever have to or want to remove the glass panels, all I have to do is cut the spot beads with a utility knife, which can be done without touching the finish on the insides of the rabbeted oak frames.

Below is a photo of showing the "spot beads" of acrylic caulk serving as a glass panel retainer.  Sorry for the poor quality of these photos!
In the first photo below, the pieces of masking tape identify the locations of the "spot beads."
normal_Caulk_Spot_Beads_Entertainment_Center_12-21-2008_006.jpg


In the photo below, the upper right corner of the text box is pointing to the "spot bead."  They are hard to see even when viewed in person at close distance.
normal_Glass_Retainer_Entertainment_Center_12-21-2008_005.jpg


Building the Bookcases

The panels and associated edging strips were cut and morticed for 5mm dominos using my Domino machine as described above in regard to the Console.  Before gluing on the edging strips, two rows of 1/4 inch shelf pin holes were drilled in the inside surface of each side panel, and two rows were drilled in each side of each center panel.  Due to the nearly 7 ft length of these panels, I needed to "walk" the 42 1/2" inch  (1080 mm) LR 32  Hole Drilling Guide Rail lengthwise along the panel to complete a continuous row of evenly spaced shelf pin holes.  A significant additional design requirement of the customer (my wife) was to ensure that the uppermost level of removable shelf panels could be installed such that their elevations would exactly match that of the bottom cross piece of the TV Cabinet (yet to be built) when set to rest on top of the Console, to provide the appearance of a horizontal row of near cubical cubby holes for her to place art items. 

The center vertical panel of each of the pair of bookcases is shorter than the side panels.  The center panel extends vertically between top and bottom cross panels, subdividing the bookcase into two narrow columns to be fitted with short shelves.  Getting the the shelf pin holes aligned at the proper elevation in all four panel faces presented an additional challenge to me, a simple bookcase comprising two upright sides with shelves extending between the sides would have been much simpler.  The actual elevation of the shelf pin holes in the assembled bookcase was going to depend not only on accurately measuring and cutting the lengths of the center and side panels, but also the actual thicknesses of the top and bottom cross panels, and whether they were truly flat and straight.  In hindsight, it would have been better to have first built up the base panels with sub-frames, thus making flat torsion boxes and dry fit checked and marked the desired shelf pin holes elevation on the center panel before drilling shelf pin holes in it.  In practice, I added the reinforcing subframe members with pocket screws after the Console  and Bookcases were otherwise fully assembled with glue. 

But what I did worked out rather well.  My solution was to measure and layout pencil lines extending across the panels to identify where the plywood cross panels (horizontal in the finished, installed bookcases) would intersect with the inside surfaces of the side panels, and where the shelf pin holes should be drilled.  If I had had the space available, I would have laid all three panels for each one of the bookcases side by side on a table or the floor, with the center panel positioned at the correct elevation relative to the tops and bottoms of the side panels, and when in that alignment marked reference pencil lines across all of them for use in getting the shelf pin holes in the desired locations.  None of the flooring in my garage is truly flat, and my driveway is steeply sloped from the street to the house and attached garage with compound crowned contours near the garage.  And it was now late Fall season and the weather was seldom good for working outside.  Because I did not have a large flat floor or table space available, I stacked the panels for one Bookcase on my MFTs and auxiliary table, marked their front edges and then transferred those marks to pencil lines extending fully across the faces to be morticed with the Domino and to be drilled with my OF 1400 and LR 32 with Hole Drilling Set, using a 1/4" straight bit.  I did the same for the second Bookcase.  I used my Woodpeckers precision carpenter's square to draw the pencil lines, always referencing from the front edges of the panels.  Because the distance of the shelf pin holes from the top ends of the panels was set arbitrarily to enable adjusting the shelves to create the appearance of a stack of cubes, the Linear Stops supplied with the LR 32 Hole Drilling Set were not used - those stops are designed to place the LR 32 Guide Rail exactly either 16mm or 32mm from the pin in the Linear Stop).  Instead, I substituted a Guide Rail Connector (Item #482107) and replaced one of the set screws with a 6mm machine screw to create an Adjustable Linear Stop that could be set wherever I chose.  This enabled me to set the holes at whatever distance I wanted them from the end of the panels.  I relied on these Adjustable Linear Stops to position the LR 32 Hole Drilling Guide Rail relative to the top edges of the panels, using the pencil lines I earlier made to confirm the locations of the holes.

Shown below is the LR 32 setup I used with my "Adjustable Linear Stop"
normal_097_sml_LR_32_Setup_for_Bookcase_Shelf_Pin_Holes.jpg


I did not need to use the Edge Stops from Festool's LR 32 Hole Drilling Set (Item #583290) to set the distance of the shelf pin holes relative to the front and back edges of the Bookcase panels.  I eyeballed the position relative to the front and back edges of the panels.  However, I while doing this, I made one mistake that later cost me some time.  One of the front rows of shelf pin holes was not set back sufficiently from the front edge of the panel.  At that time I was thinking that placing the shelf pins very close to the front and back edges of the upright panels would provide the widest pin spacing and thus best support for the shelves.  I did not realize this oversight until after I had added the 1" thick edging on the front of the 3/4 inch plywood panels forming the short shelves which had fit well during a prior dry fit check.  I used various widths of 1" stock scraps for this edging, glue it on, and trimmed the back plywood edges of the shelves to make them the needed overall depth.  When I went to trial fit them again, the edging on a few of them rested on the edge of the front shelf pin instead of the bottoms of the shelf panels bearing fully on the associated shelf pins.  Because of some variation in setback distance of the front rows of shelf pin holes and front to back dimension of the edging on the front edges of the short shelves, shuffling their positions solved most of the interference problems.  A little relief cut or grinding of the spade headed shelf pins solved this problem for the rest of the problematic shelves.

The side panels were morticed with the Domino machine, using the same template used to mortice the side panels of the Console.  Because the Bookcase panels are 12 inches wide (depth direction in the finished bookcases), only three mortices were cut in each front to back row.  (The side panels and partition panels of the Console each had four domino mortices in each row).  As when making the mortices in the panels of the Console, the template was referenced relative to the front edges of the Bookcase panels.

The accuracy of my method of marking the elevations of the domino mortices and template method was confirmed when I cut the mortices for the lowest level of short shelves which are secured with glue and dominos.  I set the plunge depth on my Domino machine shallower than normal in the hope of not cutting all the way through the center divider panel and cut the mortices from each face of the center panel using the same template used to cut the mortices in the upper and lower full width cross panels.  But the core veneer layer partially tore out and I could see that the mortices made from opposite faces using the marked lines on my template were perfectly aligned!  I pushed a 5mm domino through each one to confirm that was true.

Before assembly of the Bookcases, I used my Kreg jig to drill pocket holes into the top surface of the top cross panel and into the bottom surface of the bottom panel, taking care not to place a pocket hole where a domino mortice was located.  The main purpose of these pocket holes was to help draw fully together the components being  glued up.  Because the front and rear edging strips are offset 1/4  inch relative to the plywood panels forming the sides of the Bookcases, and the size of these cases, it is difficult twhen working alone o hold all the pieces being glued together, the long bar clamps and wooden cauls.  The pocket screws, especially those placed near the center of the width of the panels helped reduce the need for cauls. 

I also tried a somewhat different order for the finishing steps relative to assembly when building the Bookcases.  Because I ran out of room in my shop to set all the pieces of the console to dry between finish coatings, I decided to follow the fiinish schedule only through application of the stain layer before assembly, then apply the rest of the finish coatings to the assembled cases since they would take up much less shop surfaces and spaces.  And I could proceed with constuction of the TV Cabinet while waiting between coatings.  And the weather had turned decidedly to Winter so I needed to do everything, including all of my spraying inside the shop, and pick up my pace if I wanted to get done before Christmas.

Assembly of the Bookcases

Due to the center standard and short shelves at at elevation 24 inches above the bottoms of the side panels and use of domino tenons, the Bookcases had to be assembled in stages.  Below is a photo showing partial assembly of one of the Bookcases.  Both the base cross panel and the lower short shelf panel fitted with dominos are being glued up.  I shortened the dominos and inserted them first into the end of the short shelf to ensure that both short shelves would be equally secured to the center panel.  Alternatively, I could have used a full lengh 5mm domino tenon and made the mortices deeper in the edges of the short shelves that were to be joined to the center panel.  I chose not to do that because the next deeper incremental stop was 20mm, which would have left  less of the tenon projecting into the center panel than I wanted.  So instead, I left the Domino set at 15mm plunge depth and trimmed the six tenons needed for each bookcase.  My shop was so cluttered at this point my bandsaw was not very accessible and my MFTs were in use for the glue up and assembly, and with my Kreg jig.  So I set my Domino machine on the least depth setting and plunged a few mortices into the side of a scrap of 3/4 inch plywood, then inserted a domino tenon in each and trimmed them to uniform length on my table saw.

Note in the first photo below only the short shelf is being glued up to the side panel which is on the bottom in this photo.  The other Bookcase components are in position merely to ensure that the center shelf is squared up and correctly located.  I made most of the mortices slightly wider than the width of the 5mm tenons so the pieces could be adjusted if and as needed during assembly.  Clamps were used to pull the components into correct position as needed.

normal_098_sml_Partial_Glue-Up_of_Bookcase.jpg


In the photo immediately below, the top panel is being added and glued up to the sub-assembly shown in the photo just above.
normal_098a_sml_Partial_Glueup_of_Bookcase.jpg


Right after closing the joints with the help of a mallet and the bar clamps, I inserted the pocket screws which helped to pull the center of the side panel tight against the cross panels.  Thereafter, I added the remaining short shelf and the other side panel, closed the joints with a mallet and the bar clamps, and inserted the remaining pocket screws.  This part of the project was very stressful because of the number of spaced domino tenons (3 sets of 3 with nearly 7 feet between the top and bottom cross panels) to which glue had to be quickly applied, the tenons inserted, glue applied to the protruding stub tenons and all confronting surfaces.

The edging on the front of the center panel is also morticed at both ends and joined with Domino tenons to the edging on both the top cross panel and the bottom cross panel. Domino Cross Stop (Item #49348) was used to cutting the mortices in the ends of the edging strips.  This accessory is quick and easy to attach to the Domino machine and also quick and easy to adjust to fit the narrow workpiece to be morticed in its end.  I did not have any reason to offset any of the mortices in the ends of the edging strips, but that would also have been easy to do because the Cross Stop has easy to read and use scales molded into the moveable components that contact the sides of the workpiece to align the Domino parallel to the length of the narrow workpiece.  With the Cross Stop installed and adjusted to the width of the workpiece, the workpiece is captured within three surfaces assuring good alinement for cutting the mortice in a direction parallel to the length of the workpiece, the Domino machine cannot jump laterally when plunging.

To facilitate installation of the edging on the center panel (which had to be installed by a combination of rotation and lenghtwise sliding movement because of tenons protruding at right angles on the back surface and bottom end) and slipping the tenon into the mortice in the edging of the bottom cross panel, I extended the width of the two mortices nearest the bottom of the center panel which was already joined to the bottom cross panel.  Since I had not then secured the top cross panel to the center panel, I could pull on it to create enough space for insertion of the tenon joining the front edging of the top cross panel and the front edging of the center panel.  Then the second short shelf was joined to the center panel.  And lastly, the other side panel was glued on.  Thus, mine was a slow, sequential method of assembly with many dry fit checks.  Lifting and positioning the second side panel and getting all nine tenons started into their mortices and drawing them evenly home proved somewhat of the challenge.  When I tapped one corner, another earlier started would pop out, and if I drove the first corner in deeper, thus canting the panel, I couldn't get the rest of the tenons to hit their mortices.  But I finally got it together.  These problems would not have existed if I had had a helper who could have assisted in applying glue to the many domino tenons and lifting and positioning the many mortice and tenon joints at once, and would have been less if I had done this assembly work on top of a solid table.  I did it on top of a old hollow core door laid across a pair of sawhorses.  That surface would bend and rebound as I struck the panel with a mallet, rather than the joints being driven closed..  A rigid support surface would have been much better.  Since I had applied glue to all confronting surfaces and the tenons, and had to get the pieces to together quickly,  I slid the assembly to and fro along my makeshift table so my mallet strokes would be directly above one of the sawhorses.  That worked, but those were intense moments I'd rather avoid.  I came very close to ruining a lot of hard work.  Now I much better understand why people like Norm Abrams apply most of their trim using a continuous slot on the panel edge, biscuits for alignment and a finish or pin nailer.  But I loathe using nails in furniture.  The backs of each piece of this Entertainment Center are attached with small screws with an antique bronze finish in pre-drilled, countersunk pilot holes.

Lessons learned:  Get someone to help when gluing up complex assemblies.  Support the project being assembled on a solid surface that won't bounce when you use a mallet to drive the mortice and tenon joints fully closed.  Get domino tenons that are not too tight fitment, particularly for application of trim pieces.

Dave R.
 
Entertainment Center construction, continued ...

Construction of the TV Cabinet

The design of the TV Cabinet had to be a bit different from that of the Bookcases for several reasons.  The TV Cabinet is 52 inches wide so the back panel could not be cut from a single sheet of 1/4 inch oak plywood as were the back panels of the Bookcases, keeping the face veneer grain running vertically, and  some way of getting the electrical cables through was needed, and ideally there would be no bottom panel or front cross piece interfering with the appearance sight lines when the completed TV Cabinet was set on top of the fully finished Console.  Another requirement was to enable each of the four pieces comprising this Entertainment Center to be able to be used independently of one another, if desired by myself or a future owner, e.g. someone not having 10 ft of wall space to fill.  I drew up and considered several different designs before settling on what I actually built.  I purchased a few different types and sizes of gromments expecting I would need to use some of them, including one of those wide oval-shaped grommets often seen on computer desktops.  In the end, I didn't use any of them in the TV Cabinet, and only one in each Bookcase to faciliate installation of speaker wires.  (My current speakers have rather large molded on plugs with at least 4 electrical pins in each.)  I think I achieved my design goals.  At the bottom of the back edge of the TV Cabinet, there is a cross member of 1 inch thick x 3 1/4 inch oak.  In the final design that I actually built, it's important this bottom stretcher be resistant to bending to keep the front edges of the side panels from flexing out of their intended vertical planes.  I would have made it of thicker wood, but the shallow depth (14 inches front to back outside dimensions) because my customer (my wife) wanted the TV Cabinet to be as thin as possible to house the flat screen TV, and she wants me to add doors later to hide the TV when not in use.  The base of the TV is 11 1/2 inches front to back, so I did not have much room to spare.  In the center portion of the lower edge of that bottom cross member of the TV Cabinet, I cut a recess about 1 inch high by 16 inches wide with my jigsaw, then used my OF 1400 with a 1/2 inch radius quarter round bit to round over the edges that would later be contacted by the electrical cables.  The electrical cables are routed over the top of the Console and through this cutout region of the bottom cross member of the TV Cabinet.  Rounding over edges of the recessed area also reduced the angle through which the electrical cables would have to be bent during their installation.  I also rounded over the top inside edge of this cross member using a 3/8 inch radius bit.

The 3/4 inch thick plywood panels and edging strips were cut and morticed using my Domino machine as described above in regard to the Console, and  the Bookcases.  After morticing the side panels to join the upper (top) and lower (bottom) cross panels, the front and back edging strips were glued to the side panels.  A dry fit check was then made to enable marking the exact locations of the pair of short vertical partitions that extend between the upper and lower cross panels of the TV Cabinet, and the approximate lengths of the front edging strips for the cross panels, which are shorter than the panels themselves due to the overhang of the front edging strips towards the inside of the TV Cabinet, as in the Bookcases.  I made two sets of spacer blocks from lengths of scrap to ensure the vertical panels would be properly located during the dry fit check and markup.  The dry fit assembly was then taken apart and Domino mortices cut into the confronting surfaces of the upper and lower cross panels for joinder to the vertical partitions.  In the next dry fit check, with dry dominos installed in all the mortices, I again checked and marked the front edging pieces, recut them to final length and confirmed the locations of the mortices to be cut into side faces of the front edging strips.  I then cut the mortices in the edging of the side panels in situ using my Domino machine with its fence set at 90 degrees (so the face of the fence is parallel to the bit) and resting on the front face of the edging and another strip that I clamped flush with the edging strip to provide additional support for the Domino fence.  I was pleasantly surprised how well that simple technique worked.  Without the extra support block clamped on, registation of the Domino machine with its bit axis truly perpendicular to the face to be morticed was not certain.  I could not use the extra fence support piece (black plastic) that is supplied with the Domino and attaches to the bottom of the Domino because the crosswise plywood panels positioned under the locations where I wanted to place these mortices while the cabinet was dry fit assembled for this work.  I set the depth of the Domino fence to place the mortices in the center of the 1 inch thick edging for these morticing operations. 

The 1 inch x 1 inch front edging on the lower cross panel is flush with the top surface of the panel but overhangs the lower surface by 1/4  inch, as does the edging on the shelves, and the bottom cross panels of the Console and Bookcases.  Thus, the position of the mortices into the side surface of the front edging on the side panels does not correspond to the thickness centerplane of the plywood of the lower cross panel; the mortices into the ends of the 1 inch x 1 inch edging stip are centered.

The front edging on the top cross panel is 1 inch thick x 1 1/4 inch wide and is centered on the upper cross panel, as it is on the Bookcases.  I centered the end mortices on the ends of the front edging on the top cross panel.

After trimming the edging pieces that go on the upper and lower cross panels, the edging for the lower cross panel was glued with dominos to the lower cross panel (without any tenons in its ends) while the TV Cabinet was dry assembled to assure correct placement.  Then the Console was disassembled, the bottom panel edging sanded flush with the top surface of the panel.  The front edging on the top cross panel was similarly fitted, as were the edging pieces on the vertical partition panels, to assure close fiting joints at the ends.

As with the Bookcases and Console, the TV Cabinet was assembled in stages with several dry fit checks to ensure correct lengths and placement of the Domino mortices and tenons in the correct locations.  A specific sequential order of assembly was needed because each of the confronting ends of the front edging is joined to another piece of edging with a domino tenon.  The two following photos show how I assembled the centered vertical board that divides the back.  This board extends from the bottom of the back edge of the lower cross panel to the top of the bottom cross member (stretcher) that joins the two side panels together.  Two 5 mm domino tenons were used in each of these joints.  To reinforce the joint with the back edge of the top cross member, I glued (with domino tenons) a strip of solid oak onto the back edge of the lower cross panel before ripping it to final width and cutting the mortises.

In this photo and the one just below it, the Console is laying with its front face down on the table, so the framework into which the back panels of 1/4 inch plywood will later be fitted.
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This photo shows more of the lower end of the clamp and cross member arrangements.  Note the use of some Systainers to support the bar clamps.  Again, a second person to help with this assembly would have been very welcome.  To give you a sense of scale, the yellow and black bar clamps are 6 ft capacity, and the side panel in the foreground is 54 1/2 inches long (tall).
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Note in the photos above that the back edges of the panels and the boards that are clamped up are rabbeted.  Five back panel inserts of 1/4" oak plywood were fitted into the recesses, matching the grain pattern on the front surfaces as much as possible given that the overall width of the combined panels is greater than that of a standard 4 ft x 8 ft sheet of plywood.  The back panels were attached with countersunk antique bronze screws.

To protect the top of the Console on which the TV Cabinet was to be set, the bottom edges were covered with a layer of thin tan felt.

If you look at the left top quarter of the last photo above, you will see a 20" box fan in window covered by a disposable furnace filter.  When I am applying finish materials in the shop, especially with spray equipment, I setup a fan like this and open other windows and the passage and / or overhead door to varying degrees to cause fresh air to be drawn across the shop and exhausted through the filter.  I seal the fan to the window opening using pieces of cardboard (corrugated paperboard) and masking tape.  The window sills of my garage are wide enough to support the base of the fan.  If that was not possible, as in my former garage, I hung the fan in the window frame using a screw from above and a piece of heavy wire.  The filter in the above photo is due to be changed.  Due to the relatively rapid drying nature of the water based finish materials I am using, the filter is collecting fine, dry particles.  If I want to, I can vacuum most of them off the filter and continue use of the filter before changing it, which I did before changing out the filter.  If you set this up correctly, the shop will have a slightly negative air pressure, which keeps fumes and dust from migrating into the house if it is directly connected to the garage/shop.  This is obviously not a UL, OHSA, or EPA approved spray booth, but it is environmentally better than simply spraying outside.  When spraying, I wear a half face mask respirator with filter cartridges approved for use with the dust particulates and paint solvents I am using.  Whatever overspray particulates are not exhausted through of course fall on whatever is in the shop, but they are dry, even those that fall the short distance from the table to the floor, by the time they land.  For the 4 large pieces comprising this Entertainment which I could not lift on to a table or platform above the floor, I shuffled them on to cardboard or a plastic drop cloth so when I sprayed their lower surface areas none of the possibly still wet overspray would land on the floor.

Dave R.
 
Construction of Entertainment Center -- continued

Making the Adjustable Glass Insert Shelves for the Bookcases

I made a total of 14 shelves that could be used with the Bookcases, two solid panel shelves and twelve with a 10" square tempered glass panel inserted into a recess the central region.  After Cutting the panels of 3/4 inch plywood to size to fit between the uprights of the Bookcases, I glued on 1 inch thick edging of solid oak to the fronts, so that it was possible to arrange the shelves to give the completed Entertainment Center the appearance of an array of near equal sized cubes being stacked.  I did not use domino tenons for the front edging, I simply glued the edging strips to the front edges of the plywood panels.  That was a design constraint/specification at the beginning of this project, although a few days after installing the Entertainment Center, my wife decided on a different, unsymmetrical shelf arrangement as shown in the photo below.

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Good that I did not follow the Bookcase seen in a catalog that was the initial inspiration for the general design of this project!  That wall unit had permanently fixed shelves, and the wooden strip that supported the bookcase shelves were visible under each shelf.  (I thought that was ridiculous given the >$6000 price the manufacturer asked for it, even allowing for it being constructed of jatoba solids and veneered panels, but no lighting or decorative glass or glass insert shelving or decorative top valence, and straight sides on the side panels.)

Shown in the photo below is the Paired MFT 800s Setup that I created and used for making the shelves with the glass inserts.  In reality, making these shelves was similar to making a dozen small router table tops (I have never made one --yet!), except that the recessed areas were sized 10 inches by 10 inches rather than the common 9 3/4 inches by 11 3/4 inches used by several commercial router plate manufacturers, including JoinTech (iTools).  This Paired MFT setup was easily put together done (providing both MFTs are either old or new style) using a pair of shopmade "Squaring Arms" based on those described by Jerry Work in his excellent MFT Manual linked on FOG.  I made mine by laminating scraps of hard maple, black walnut on to 1/2 birch plywood.  But my usage here is different than the primary purpose taught by Jerry.  The photo is of two MFT 800s joined together by the shopmade connecting arms that are spaced significantly further apart than is possible with Festool's metal MFT connectors (Item #484455).  These shopmade connectors enabled me to setup the exact distance required to grip the lateral edges of the small shelf blanks.

Pair of Joined MFT 800s, view from topside.
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Usring this Paired MFTs setup,  I wedged the short shelf panels one at a time into the gap between the edges of the tops of the MFTs and cut out the center region with a jigsaw. Then with a 3/8 inch straight bit mounted in my OF 1400 router and a 30 mm bushing installed in its base, I routed out the center of the panel using my MFS 700 (Item #492611) as a perimeter guiding template.  Then I changed out the bushing to the PC bushing adapter supplied with my OF 1400 router in which I had installed a much smaller bushing that would locate the bit much closer to the profile defined by the MFS frame, reset the depth of the router to correspond the 5mm thickness of the tempered glass inserts I had purchased, and routed a recessed rim around the cutout area in each panel to hold a glass insert.  Note that I used both a 30mm Festool bushing aka Template Guide (Item#486033) for the full depth cuts and an Imperial (USA standard) inch bushing threaded into Festool's PC bushing adapter.  Since this was not an laying project, there was no need to exactly match male and female cutting diameters.  All that was necessary was to create a recessed lip around the cutout region of each panel to support the associated glass insert.  The combination of bushings I used created a lip width slightly greater than ? inch wide, more than adequate to support the glass.

Peering down through MFS setup into "Big Gulp" dust collection funnel attached under connected pair of MFT 800s
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If you look closely in the photo above, you will note the absence of the numeric graduations on the exposed top sides of the MFS.  After setting the dimensions of the MFT, I intentionally flipped it upside down to avoid wear of the graduations which are painted on the MFS extrusions.  I used the right angle brackets supplied with the MFS to aid in positioning the MFS template reliably and repeatably onto the panels being routed.

To set the size of the MFS template, I simply placed it over one of the panels to be routed which I had earlier marked with a pencil using one of the glass panels as my template.  I adjusted the size of the MFS until the outside edge of the bit touched my penciled line when the smaller diameter bushing was in contact with the inside wall of the MFS template.  After cutting one of the panels and squaring the corners with a chisel, I checked the size of the recess with some of the glass panels.  I learned they were not exactly 10 inches square as advertised so I set the MFS a little larger and proceeded to rout all twelve of the shelf panels to be fitted with glass inserts.

I learned that dust collection from my OF 1400 router through the topside mounted Dust Hood (Item # 492000) with a straight bit and bushing in the bottom is not very good.  My Makita jigsaw has no provision for dust collection.  I have Makita's extra cost dust collection adapter, but it is not very effective, and is a nuisance to mount and connect to any common or standard sized vacuum hose.  I was able to collect most of the wood dust by attaching a "Big Gulp" plastic dust collector funnel below the gap between the two MFTs to catch most of the sawdust as seen in the photo below.

Pair of Connected MFT 800s with Dust Collector Funnel Bridging Gap between the MFTs
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The "Big Gulp" rectangular funnel has a 4 inch outlet to which I attached a reducer and my Festool 36mm AS hose which I connected to Festool's Antistatic Y-Piece Hose Connector (Item #452898).  I tried routing with a 27mm AS hose connected to my router and the other port of the Y-Piece Hose Connector for some of the panels, but later abandoned the upper hose because little debris was able to rise above the bit through the base of the router, so this extra hose on top was not doing much good.  This was probably because the router was fitted with a bushing with an inside diameter barely greater than the outside diameter of the 3/8 inch bit that I used for all of this routing, which did not leave much area for debris chips and an airstream to pass upward through the base of the router.

I did not have any carbide straight bit long enough to extend through the bottom of the workpiece when the router was positioned on the MFT sitting on the workpiece.  For this operation the bit needed to extend below the base of the router by at least ~5/8 inch (appoximate thickness of the MFS extrusions) plus the 3/4 inch thickness of the workpieces, i.e. a total of 1 3/8 inches.  So I used an old Shopsmith 1/2 inch shank two-flute steel bit having an effective cutting length of about 2 inches.  I changed the fully plunged depth setting of the bit once during routing of the full depth cuts to even out wear on the bit.  The glue layers of the plywood cause a higher bit wear rate than the wood veneer layers.

The DC funnel was clamped by its inlet flange to the bottom of the side rails of one of the MFTs.  A better way to hold the DC funnel in position would be to insert some square nuts into the T-slot channels formed in the bottoms of the MFT side rails, then bolt up a pair of thin wooden arms to hold the flanges against the bottom of the MFT side rails.  This would also free up a couple of clamps for other uses.

Dave R.
 
Does anyone have any ideas for use of the small pieces of 3/4 inch oak veneered plywood cut out of the Bookcase shelves?

Installation of Lamps in the tops of the Bookcases and TV Cabinet

I installed Tresco brand 12V PocKit Lamps with 20W Xenon bulbs in each compartment of the top level of the Bookcases and TV Cabinet.  These lamps are available as kits having a transformer and either two or three lamp units, and are a "plug and play" modular design.  I used a hole saw to cut the needed 2 1/8 inch holes throught the top cross panels.  I used two slightly different techniques with a holesaw mounted in a 1/2" drill motor.  For the Bookcases, I cut from one side of the top panel until the pilot bit penetrated the opposite face, then I completed the hole by drilling from the opposite face of the panel.  This is the technique recommended by the manufacturer (Morse) of the hole saw, which makes it easier to remove the cutout piece from the holesaw.  Despite the pilot drill bit, drilling from both sides resulted in a slight offset of the partial bores and a slight ridge where they met.  This I hand filed away.  Due to the short distance between the top cross panel and the lower cross panel of the TV Cabinet, my drill motor was too long to enable drilling from the bottom surface of the top cross panel, so I had to drill completely through from the top.  Before drilling these holes, I clamped a scrap board across the underside of the top cross panel so that the bottom surface would not be splintered upon break through of the holesaw, which required a good amount of down pressure and relatively low speed to cut effectively.  To my pleasant surprise, this second technique worked much better than the first; the holes were perfectly cylindrical all the way through and did not require any hand filing before fitment of the lamp fixtures.  All I had to do was break the edges with some sandpaper. 

After the holes were cut , I fed the wire leads for each lamp through the holes and installed the lamp housings by simply pushing them in from below (each lamp has small resilient fingers spaced around the housing).  Then I twisted a Tresco supplied decorative ring onto the flanges of each of the lamp housings.  I used a 2-lamp set for each of the Bookcases and a 3-lamp kit for the TV Cabinet.  A also installed a Tresco touch dimmer unit and plugged the transformers into the 3-way outlet of the dimmer.  Using screws, I mounted the transformers, wiring junction blocks and dimmer unit on the top cross panels of the Bookcases and TV Cabinet, and the touch pad for the dimmer on the back of the left Bookcase so it can easily be reached from the left side of the assembled Entertainment Unit.  The main power cord to the wall receptacle is also behind the left Bookcase.  It includes a rotary switch that can be easily reached to de-energize the entire lamp system.

Based on my personal communications with Tresco's customer service engineer, Tresco cautions that the dimmer I bought may not work properly around other electronic equpment due to lack of RF (radio frequency) shielding.  And they are right, if my experience with the first dimmer unit is typical performance.  The dimmer unit worked OK for a few hours, then seemed to develop a bit of a mind of its own, turning on or changing level when switching on other equipment.  I have been corresponding with Tresco's customer service engineer indicated they are expecting delivery soon of dimmer units with improved circuitry and resistance to external RF.  He told me I could totally solve the errant dimmer behavior problem by connecting the Tresco transformers to a common household solid state wall box mounted dimmer control.  I'm going to wait and try the revised Tresco dimmer before taking other steps to address this errant dimmer problem, if it persists.

Building the Valences
The valences which cover the tops  of the fronts and sides the Bookcases and TV Cabinet were built and finished separately.  After all four pieces comprising the Entertainment Center were installed, the valences were attached with screws inserted through a simple subframe made of strips of ? inch plywood attached to the tops of the Bookcases and TV Cabinet with pocket screws.  The valences were built by laminating two strips ripped from the same oak board to a center strip ripped from a single board of quartersawn lacewood (Australian silky oak).  As much as possible, I kept together the oak pieces that were ripped from the same board so their grain patterns would to be matched on the upper and lower edges of the center strip of lacewood.  Likewise, I selected and oriented the strips of lacewood ripped from the single board with the goal of emphasizing the many lighter colored rays that are the key feature in that species.  Depending on how the board is cut from the tree, the rays can appear as rounded dots, tear drops, or extending ?streams? across the width of the face of the board, and the backside of the same ? inch thick board may have a very different appearance than the front.  After trying many different orientations of the lacewood strips, I settled on trying to emphasize long ?streams? of the lighter colored rays across the front faces of the boards.  My wife and son thought this ray pattern reminded them of miniature waterfalls.

If anyone plans to use lacewood for a project, I strongly recommend going to a vendor and choosing the boards personally.  The boards vary widely in face grain pattern depending strongly on the orientation of the log when sawn, and not so much in their natural deep subdued reddish brown color.  The quartersawn grain patterns are interesting but the edges of such boards offer little to attract eyes.  I bought my board long before this project was conceived simply because I thought it had interesting face grain patterns and believed it would make a nice accent with oak.  (I think the natural reddish brown color fits very well color wise with the natural colors of many types of mahogany.)  When I first mentioned use of this wood as an accent for the tops of the Bookcases and TV Cabinet and showed my prize board, my wife thought it would not go well.  Now she and others who have seen the completed project frequently comment that they like the accent, which picks up colors in the sofa and pillows in the same room.

Be careful working with lacewood (and any other wood as well).  Take care to avoid breathing the dust, and when handling the boards to prevent getting splinters.  The board I bought from Rockler's was S2S (surfaced on both wide sides but not the edges), and splinters were easily raised from its edges; I wore one in the palm of my left hand for a few weeks!  Lacewood is hard, dense (noticeably more so than the red oak I used), and reveals tiny bright reflective spots when held up to a bright source of light from above and slowly rotated to change the angle of incidence; I suspect these bright dots may be deposits of silica or other minerals, something you definitely you do not want to breathe.  There are no problems cutting lacewood with normal carbide toothed saw blades, but much care is needed to plane quartersawn surfaces without tearing out some of the grain.  A reduced planing angle of about 20 degrees is recommended.  After laminating the boards to be cut into the valence components, I hand scraped and sanded the surfaces.  Even so, I still created some slight tearouts which remain in the finished valence pieces.

I had only enough lacewood, to make all the needed valence laminated ?boards? plus one extra side piece.  After trying many different possible lamination arrangements with my oak stock, which were remnants of the strips I had cut for front edging of the Bookcases and TV Cabinets, I marked all the pieces to be assembled and glued them up into small boards slightly longer than needed for each piece of each valence.  (I wanted to make the valences from a single board of oak so that I could match the grain patters all the way across at least the front boards, but did not have any oak board in my stock that appeared suitable and long enough.)  Because the strips of oak were 1 inch thick and the strips of lacewood only ? inch thick, when gluing them together, I place them into the clamps with their good faces down against the clamp bars, and checked to confirm their front faces were very close to flush so I would not have to do much scraping and sanding after lamination.  It is possible using this rather slow, sequential panel glue-up technique to make even wide panels that will require very little planing or sanding, even if the boards being glued edge to edge are of widely differing thicknesses.  I have used this technique for many years when making table, desk, and and other furniture from glued up panels.

After making up the laminated boards, I mitred one end of each and fitted them together with masking tape, and dry fit them to the tops of the Bookcases and TV Cabinet to confirm I had the lengths correct.  I used my TS 55 and MFT to cut the mitres.  I found that my saw was factory set at slightly less than 45 degrees.  After a simple adjustment of the 45 degree stop set screw, the mitred pairs when joined formed 90 degree corners as desired.  For the center pieces which appear across the fronts of the Bookcases and TV Cabinet, after getting the angles correct, I crept up on the correct length by repeat mitre cuts and taped up trial fittings to the tops of the Bookcases and TV Cabinet.  Because my valence pieces were slightly longer than needed at the start of this iterative process, after I was certain of the angles, I then recut the mitres for the purpose of matching the rays in the lacewood as best as possible as the boards wrapped around each mitred corner.  After the final dry fit check, marked the back ends of the side pieces, then cut them to length.  Then on my MFT tops I laid out the valence pieces for one cabinet at a time in a line with their mitred faces down, applied blue masking tape to the glue to the sides facing up to join them into a long strip, flipped over the whole joined strip, applied glue to the open mitre cuts, closed the mitred joints, and added more tape to pull the joints tight and laid them aside to setup.  I checked the mitred corners to ensure they were square.  Another piece of wood corresponding to the length of the front member could be used to help ensure proper glueup, together with aluminum clamp up squares and spring clamps.  Or, if you're certain there is no glue squeeze out on the inside of the mitred joints, each valence could be fitted to its respective associated case and held against the top subframe members to assure proper alignment.  I did not use this latter approach

Installation of the Top Valences
The following photo is of the top of the right Bookcase in the completed Entertainment Center.  The topside of the two Xenon lamps are visible in the holes sawn through the top crosspiece.  The 12V transformer is the small white box screwed to the top cross piece of plywood that has a pair of pocket screws joining each end to the sides in addition to the three glued domino tenons.  The valence is secured from its inside surfaces by screws to the strips of 3/4 inch plywood secured to the top of the case by pocket screws.  Thet side of the Bookcases and TV Cabinet extend 1/4 inch above the top cross panel of 3/4 inch plywood, thus making it easy to locate these top perimeter framing members to which the valences are secured.  I did not secure the valences in place until the complete Entertainment Center was installed in the room where it resides.  While setting the valences in position, intentionally with a slight gap which echos a similar feature in a china cabinet that can be seen at the same time as this Entertainment Center, I realized I could have used my Domino machine to cut some slots completely though the 3/4 inch top framing members.  And, asuming there would be a gap of about 1/4 inch between the tops of the cases and the valences, I could have predrilled some holes through the side members of these top perimeter frames and inserted small bolts or lengths of 1/4 inch threaded rods to invisibly secure the tops of the cases together without touching the valence.  But I did not feel like taking the valences and these perimeter framing members off and back to the shop to drill through them.  So the tops are simply clamped together at the back below the top.
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Note that multiple predrilled connection holes through the side members of these top perimeter frames could be provided to enable connection of the Bookcases to the TV Cabinet at varying amounts of setback of the Bookcases relative to the TV Cabinet.  The spacing of these holes in the top perimeter frames of the TV Cabinet and the Bookcases could be offset to create an effect similar to a venier whereby a slight movement of the Bookcase toward its back relative to the TV Cabinet would cause a second hole through the perimeter frame of the TV Cabinet to line up with the first used hole of the Bookcase, and a further increment of movement in the same direction would cause a second hole in the perimeter frame of the Bookcase to line up with a the first used hole in the TV Cabinet, etc.  I did not actually use this design idea.

Update December 22, 2008.  Rockler's sent me a replacement dimmer which I installed today.  So far it appears to be working as designed.  This dimmer unit is noticeably quieter in operation than the first unit, but there is still an audible hum/buzz within about 2 ft.  Even so, it generates less noise than the Scientific Atlanta DVR supplied by Warner Cable.

Dave R.
 
Great project, Dave!  You've put a lot of time in both construction and the documenting therein.  I've enjoyed the reading of this thread and have gotten some good tips.  I'm curious though, from a design standpoint; why go to the trouble of drilling all those mortises for the shelf standards?  It seems to me that no other configuration of the shelves on the left and right side would work other than the ones pictured in your first posting.  Why not make them fixed?
 
Dave,

Your email postings on the construction and finishing of your Four Piece Entertainment Center are very entertaining  ;) and informative.  I, like other forum members, look forward to your daily "updates".  And I must admit, I have learned a thing or two this past week reading about your travails.  That said, may I offer a suggestion...?

When you are finished relating everything you wish pass along and all questions are answered, how about you package everything into a single PDF file?  Something along the lines of what Jerry Work does.  Or John with his postings on WoodShopDemoes.  That way those of us that wish to follow along could download a single file to persue at our own pace and leisure.

JMTC.

Happy Holidays to all.  :D
 
Stoolman said:
Great project, Dave!  You've put a lot of time in both construction and the documenting therein.  I've enjoyed the reading of this thread and have gotten some good tips.  I'm curious though, from a design standpoint; why go to the trouble of drilling all those mortises for the shelf standards?  It seems to me that no other configuration of the shelves on the left and right side would work other than the ones pictured in your first posting.  Why not make them fixed?

Stoolman,

Thanks.  I did put in a lot of time; my wife thinks I've grown attached to my PC.  She's not far from wrong.  I decided that I need to begin to learn how to use my PC and some software routines. Obviously, I've got a long way to go.  And I need to get a decent basic camera.  The cheapo DXG camera I now have has no true manual control capability, fixed lens, lousy flash that drains the AAA batteries in not more than a handful of photo shots, no capability to use with a release cable or pneumatic squeeze bulb to reduce camera shake, and no image stabilization.

I'm not certain I understand your comment/question.  All of the Boodcase shelves above the lowest level pair (whose elevation matches that of the top of the Console) are supported by 1/4 inch self pins.  The support holes for those pins were "drilled" using my OF 1400 on my LR 32 Guide Rail.  The lowest pair of short shelves are fixed level with the Console top with glued domino tenons.  These shelves could have been made adjustable, too, but an initial design criterion was to have their elevation match that of the top of the Console.  And by joining them to the standards (left side, center divider and right side) with glued tenons, they add to the structural rigidity of the Bookcases.

Please ask/comment again if I have not answered your question.

Dave R.
 
GreenGA said:
Dave,

Your email postings on the construction and finishing of your Four Piece Entertainment Center are very entertaining  ;) and informative.  I, like other forum members, look forward to your daily "updates".  And I must admit, I have learned a thing or two this past week reading about your travails.  That said, may I offer a suggestion...?

When you are finished relating everything you wish pass along and all questions are answered, how about you package everything into a single PDF file?  Something along the lines of what Jerry Work does.  Or John with his postings on WoodShopDemoes.  That way those of us that wish to follow along could download a single file to persue at our own pace and leisure.

JMTC.

Happy Holidays to all.  :D

Thanks, GreenGA.  If someone will teach me how to do what you ask, I'm willing to try.  My PC skills are much worse than my woodworking and mechanical and design skills.

Dave R.
 
Hi Dave:

Great job--I'm planning to steal liberally from your ideas and experience with a unit I am designing.  As thanks for your great job of documentation, I'll create a .pdf file that can be posted here.  Just give me a few days to let you post your materials list and to let others post questions and give you time to answer.  Once it looks like the thread has stabilized I'll pull it together, edit minor typos, and (depending on final size) figure out how to send it to you or upload it to this site.  If you'd rather handle it differently, just let me know!

Fred
 
Well Dave, if you already have MS Word, then you are almost there...

Assuming you DO have Word, what I would do is create a Word document composed of everything you posted to the FOG, including the images.  Once the thread has run its course, someone on the forum must have a copy of Adobe which would convert your Word document into a PDF.  I would, but for some strange reason a full copy of Adobe is probably the one piece of software I do not have. :(

You could even get fancy with a table of contents including links to the contents and embedded images, all from the front of the document. ;)

Dave Ronyak said:
Thanks, GreenGA.  If someone will teach me how to do what you ask, I'm willing to try.  My PC skills are much worse than my woodworking and mechanical and design skills.

Dave R.
 
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