jonny round boy said:
I've been contacted by another FOG member about this model - Joel K - he's been a lurker since January, but hasn't posted anything yet. He's very kindly done these renders of my model:
[attachthumb=1]
[attachthumb=2]
I thought I should share them - I told him he should post them himself (and break his duck) but it seems he's a little bit shy.... ;D
One can learn the most astonishing things in this group!
Jonny, I didn't even know that I had a duck, much less that it needed to be broken!
Apparently I did and, with this posting number one, I have now done the deed. Thank you..., I think.
This phrase has an interesting history. The World Wide Words web site has a good explanation. See:
http://www.worldwidewords.org/qa/qa-bre2.htm
Some of the alternative explanations found at this site
http://www.motorsportforums.com/forums//archive/index.php/t-113483.html
are
much more entertaining!
Anthony and James, thank you for the kind words, but all of the credit for artistry must go to Jonny. As a SketchUp user myself, I'm amazed at what he's done.
Those who are interested in SketchUp and are also interested in photo-realistic rendering should take a look at the renderings on the SU Podium web site at
http://www.suplugins.com/ They will knock your socks off!
The SU Podium interface is simple, consistent with SketchUp, and runs entirely within SketchUp.
The trial version which can be downloaded for free, does not expire and differs from the commercial version only in the image resolution sizes which it will produce. The price of the commercial version is pretty reasonable, relative to what it will do, when compared to some of the other rendering products which are available.
I've been using SU Podium for only a couple of weeks. If you decide to check it out, take a look at the Omni Lights feature. That's what I used to place the light source for the renderings of Jonny's Refreshment Kit.
Now that I've broken my duck and have shed a little light on the subject of rendering, I can go back to lurking and trying to absorb some of the wealth of information from the real artists and craftsmen in the group.