johnleve said:
This is a neat project, looking forward to seeing the final result.
Here is how I have handled cutting holes in the past: use a circle jig to cut 3/4 of the way through the material. Use hole saw or jigsaw to cut through the remaining material making sure to stay on the waste side. Use flush trim router bit to finish off the hole. It has always ended up being perfect for me and avoids the issue of the disappearing support and pivot point.
As long as the center waste is secure, you are golden. Everything is done in one step with one tool. I consider the pivot point on the MFS400 a huge benefit as the tool moves as you pull the extrusion. No hose/cord tangles. It is dead on accurate. And you can use it for a lot of other things.
johnleve said:
If anyone is interested I think that
Zlaytron is a great place to order drivers from. The Focal drivers I have ordered from them in the past are incredible. They also have crossover components and will design a system for you based upon your needs. I had a little trouble with making the crossovers even though sent me diagrams, they were far more complicated than the electronic crossovers I was used to using. They don't keep the website updated so it is probably best to call. I am sure there are many other great places, I just get a real kick out of ordering from an old school company.
I like
Madisound a lot. They carry higher end products. I purchased some specialty Mundorf caps from them when I was building the 300B. They have a very wide range of drivers, and parts. Everything necessary to build some great speakers.
Keep in mind the Brines MLT speaker enclosure is engineered specifically for the Markaudio Alpair 10M. There's a lot of physics involved in matching the two. The 300B was able to drive Thiel CS1.5 3-way speakers ....barely. They are rated 4Ω 50-150W. I added an Adcom Pre-Amp and they really opened up. A pre-amp is for weak inbound source signals. Just as most turntables and stylus require a phono-pre-amp. The Alpair 10M are 8Ω 30W. Although the SPL's are almost equal. From my understanding the 8Ω speaker should be much easier for the 300B to drive. I am hoping to eliminate the pre-amp. The shorter the circuit path the better. And that's one of the benefits of a single driver MLT. No crossover circuit.
Here's what Bob Brines says about the pluses and minuses of a single driver. He is very direct. His web site, as well, couldn't be more old school.
"Who Should Use Single Driver Speakers?"
"Single-driver speakers are not for everyone. Single-driver speakers are about finesse, not power. Any speaker, single-driver, 2-way, 3-way, whatever, is a compromise. Each will have sonic advantages and failings. Therefore, you will wind up choosing speakers that work well with the bulk of your library and OK with the rest. There just isn't a speaker out there that plays everything well.
Again, single-driver speakers are about finesse. They provide a special purity of tone without the phasing problems inherent with multi-way cross-overs. The human ear is particularly sensitive to phase in the 300-3000Hz band. This is how we locate sounds in space. While the combined phase of a multi-way speaker may sum flat, we can still hear the phase rotation of each driver as it enters the cross-over range. This phase rotation confuses the ear, causing a lack of definition to the sound. A single-driver speaker obviously doesn't have this problem and the mid-range of a single-driver speaker is unexcelled.
But, of course, there is a trade-off. The nemesis of single-driver speakers is frequency modulation (FM) of the upper ranges by the bass. (Doppler distortion is a type of FM distortion, not the other way around.) A higher frequency becomes a warble tone, the frequency and depth of the warble depending on the frequency and driver displacement of the bass tone. The result is when there are many bass frequencies in the music, as the music becomes loud (more driver excursion) the upper ranges become harsh and tonally indistinct. The driver "falls apart".
How bad is the FM distortion on a single-driver speaker? It depends! Music with simple bass lines never sound better than on a single-driver speaker. Jazz trio, girl-and-a guitar, classical chamber music. If you listen to your music a moderate levels -- ~70dB and the listening chair 6-8feet from the speakers, you can play almost anything. Music to avoid: Hard rock, most anything mastered this century for radio and ear-buds, romantic symphonies at concert levels.
So you have been warned. If you are into polite genre and moderate levels, my speakers are for you. If you are into heavy, loud music, you need to look elsewhere.
johnleve said:
One more thing to consider is that some of these speakers draw a lot more power than the ones you would tend to buy at a Best Buy. I had a decent amp that was only a few years old, had no problem handling the old speakers. I had to turn it up really high to drive the new speakers I made and you could hear that the amp was not liking it and/or it was really not a very good amp. I upgrade to a Marantz and have been extremely pleased ever since. I was not expecting to have to spend the money on the amp, fortunately for me it was when Best Buy was on the verge of collapse and I was able to get the thing as an open box for about 1/5 of the MSRP."
The 300B and a Marantz are really apples and oranges. Tube amplification is analog. The speaker cones move, and this is difficult to describe, in a sinusoidal fashion rather than solid state amps where the cone moves like a square wave. Jiggly versus precise. Except I don't like precise in this case. Very much like digitized music rather than vinyl. This is one of the most subjective hobbies going. It's challenging non-technical folks to determine what's fact and what's fiction. Even engineers disagree. Some claim to hear a difference, others think it's snake oil and every system sounds the same. Just depends on your passion.